Writing Zombies! Is almost exactly like going to a horror con. Most of the pieces are conversational musings on how to or why the authors write zombie stories. Some try to be instructive, others are more enthusiastic conversations from fans, and most do a fair amount of self promotion (some more fluidly than others). However one has to wonder why we needed 44 authors to say mostly the same thing over and over and how, if many of the authors are new enough to still be dragging out the same most basic writing advice (and admit they only have been in the game for a few months, or a story or two) this book counts as being by ″Masters of the Zombie Genre″. I’m not saying these people have no right to write, or converse about their love of zombie tales, just that this book isn’t written by master writers, and a lot of it isn’t writing advice at all.

There are some excellent essays included here (Tim Waggoner, David Moody, David Dunwoody and Keith Gouveia’s all for sure.) But Writing Zombies! Desperately needs better editing on every level. The essays are too repetitive (to an eye-glazing level), there are profuse spelling and/or grammar errors included and even the formatting itself needs work.

If you’re a zombie fan and could spend hours sitting around talking about why you love zombies (and which ones you love) this is a good books for you. But it’s not what it’s billed as, valuable writing advice from Zombie writing masters.

*I live tweeted as I read this book. My essay-by-essay take is below the cut.

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Karen’s just starting to get her life back on track after the disappearance of her twin brother months ago. Until a strange voice on the phone tells her ″Two men have the carcass.″ When a man calls claiming to be her brother’s partner, both romantically and in a budding B&B in Fallen Trees, Washington Karen feels the overwhelming urge to travel to the small town in the middle of nowhere and retrace her brother’s last steps. But what she finds at the House of Fallen Trees is a classic creepy ghost tale that might have killed her brother.

House of Fallen Trees is a fast, compelling read. It’s dark, twisted and will have readers questioning Karen as much as the strange happenings the giant ship built in the middle of the woods. Creepy and fun it’s a stellar ghost tale in a thin market. A definite good choice for horror collections.

Contains: Sexual language, foul language

Andy is at rock bottom. He lives in his parents’ wine cellar, has no social life other than weekly support group meeting and appointments with a therapist who can’t be bothered to care. Worse, because he’s dead he has no rights to reclaim any semblance of a life. While it has threads of zombie apocalypse, Breathers is remarkably different because of its lead. First, Andy spends most of the book mute. Second, being an intelligent and overall nice guy it makes his journey to reclaim his life and deal with the seriously impairing injuries left behind by his death (including the mental ones and a few nasty revelations about his relationship with his parents, even before his death) means this zombie is an easy to relate to Everyman on a journey.

Breathers is a deeper read than your average zombie tale, but doesn’t forget its genre roots. Fun at times, terrifying at others and absolutely compelling. Highly recommended for public collections and an essential addition to modern zombie collections.

Contains: Sex, gore, language

I haven’t been meaning to do so much of it, but I’ve reconnected with an old friend that I lost touch with (and we’re turning out to be better friends than we were before), I found some old 3.5 in diskettes that I’ve been going through (in an ongoing attempt to declutter my life) and over on Reading Bites I’ve be rereading L.J. Smith’s Night World series. (You can read my musing reviews here.)

It’s that last thing that I’m musing about now. First, I’ve noticed some creepy, unintentional similarities to the Night World series and some of my unpublished work. Theme only, I promise, nothing close enough to be even close to plagiarism (especially considering when I wrote the work I hadn’t read LJ in years and, in fact, my books had been missing for about four years.) But it’s enough to make me think I might need to go back and refresh that book a bit before anyone else sees it. But that’s a decision for later since I’m in the middle of a project right now.

The second thing I’ve realized is that the Night World books are seriously diverse. While sometimes it’s in an expected way, like girls with black hair and green eyes and guys who are like big blond cats, in other ways it’s…well it makes me very happy.

Diversity in YA is an ongoing genre-political issue. There’s been cases of white washing, diversity only in its most cardboard form and issues of no diversity at all. Yet I’m four and half books in and I’ve run into not just African American and Asian and Hispanic characters, but the third book in the series, Spellbinder, includes Japanese and Hawaiian mythos and deities as well.

This has me wondering if LJ was the exception back in the early 90s when she first hit big. Or were we more inclusive of it then? Or is it just something we’re more aware of now? And does growing up with the LJ Smith-type books makes those of us who are reading and publishing professionals in our adult life more aware of it?

I don’t have any answers. But it is something I’m pleased to be thinking about.

My friend Nicole Cushing does #storyeachnight on Twitter where she reads and reviews one tale from her vast collection of anthologies before bed every night. A few of us Horror Belles have joined in. I think it’s a neat way to read & review and I finished my first book tonight. Here’s the collected version:

Jan. 1- “The Lure of Dangerous Women” by Shanna Germain from Queered Press’s BloodFruit. Ocean-creature paranormal tales are very rare. This one was rich, well times, but a touch too short. I liked it, but I think expanded more it could have been amazing rather than just striking.

Jan 2- “A Different Kind of Monster” by TA Moore, also from BloodFruit from Queered Press. It’s a sexy, wicked tale that succeeds where a lot of horror/romance mixes as of late often fail. It reminded me a lot of Poppy Z. Brite.

Jan 3- ″Just Past Winter″ by Nathan Sims (Bloodfruit, Queered Press). Oooh! A Werewolf story! Interesting tale with a side that almost gets lost in some viciousness and m/m shape shifting sex scene. Not for everyone, but I liked it.

Jan 4- ″Hemophobia″ by Trent Roman (Bloodfruit, Queered Press). A hemophobic vampire tale this story tries to play with all kinds of stereotypes (sexuality & horror) but in the end it doesn’t escape the cliche. It’s not bad, but not standout.

Jan 5- ″The Diarist″ by Mark Silcox (Bloodfruit, Queered Press) is a queer ghost story with a classic-horror feel. In the end it seems like more time was spent on the setting and the characters and something’s missing in the pace/flow of the story itself.

Jan 6- ″After All″ by Laramie Dean (Bloodfruit, Queered Press) is one of the sweetest tales so far. Bitter sweet, but that’s how I like my ghost/zombie stories.

Jan 7- ″Happy Anniversary″ by Stephen Osborne (Bloodfruit, Queered Press), another ghost tale with a brief mention of facing the ghosts of the past. It has a real horror movie feel, which combined with its brevity makes it seem a little rushed.

Jan 8- ″Tombstone″ by Raymond Yeo (Bloodfruit, Queered Press), a neat little story about a superhero who is really a witch and his lover. This one is different from the others so far in how it handles the paranormal and GLBTQ theme. While I enjoy stories that use horror and the paranormal as metaphor for GLBTQ issues it’s nice to see a pulpy paranormal story that just happens to star a gay guy.

Jan 9- ″Captive Magic″ by Garry Mclaughlin (Bloodfruit, Queered Press). I also enjoyed this one, with its pseudo-Lovecraft feel and clever lead. It could have been a hard hitting moody piece, but the author went for satisfying and amusing instead. It works.

Jan 10- ″Hollow″ by Jamie Freeman (Bloodfruit, Queered Press). This is a real dark, real hard story to read because it puts reads directly into the mind of a sadistic rapist. Too disturbing for me to really like.

Jan 11- ″For Her Eyes″ by Quinn Smythwood (Bloodfruit, Queered Press). This one has a creepy gaslighting feel sure to put readers on edge without a single vampire, killer, werething or ghost to be had.

 

I know I owe you all blogs, and I have the ideas to write them. But what I haven’t had is the drive. But let’s start at the beginning.

I spent my holidays working at a kennel/doggie day care. It was a fantastic job. I loved it, and the people I worked with too. You noticed the past tense, huh?

It was a seasonal job (yet another seasonal job I should say) and while there was some debate on them keeping me after the holidays in the end they didn’t have the hours to offer. So instead they transferred me to the grooming salon. So I still have a day job, and one I like, but there’s one huge difference that keeps hooking me.

In the kennel almost all my work was directly with the dogs and my coworkers. I didn’t deal with the “pet parents” much. So as long as the pets were safe and happy, and my coworkers were safe and able to do their jobs I was golden.

The salon is…it’s a salon. The people aren’t pet parents, they’re clients. We don’t sell on babysitting services, we sell on face to face customer service, like a people salon. In otherwords, they want me to work on building a client base of my own.

It’s not the only part of the job, because a lot of people come in once for a service then don’t come back for a lot of reasons (like they’re from out of town, or only needed a one time service anyway). But the core of a salon business is repeat customers, so the groomers and bathers (that’s me) are encouraged to make their service real personal.

So, um, this has exposed one of those uncomfortable little facts that you sometimes discover about yourself. Because my name and face will be directly related to my job I’m more anxious about it. Self confidence is something that I’ve been working on (I’ve always been a little lacking). Yeah 2011 was a wringer, but if it did anything it convinced me that I’m a hard working, decent person. I know I can do this job well, and I know I can relate well to other people. The first thing I get from people is usually how nice and friendly I am.

Of course inside I’m convinced I’m a farce and everyone will figure that sooner or later. But that doesn’t matter a lick to the people I work with or for. I know I can do this job, it’s that having my name on it, selling myself in a sense, makes me more nervous about relating to people.

How is that different from selling my writing? It’s not really. You do sell yourself as a personality when you’re an author. I’ve blogged before about how once you start publishing you stop being a normal person and you become a public person. Which is why you shouldn’t do things like complain about bad reviews or be nasty to fans, even when they are being bad/oblivious.

But I’m still at the point that outside of a few cons, a few short stories that come out then fade from the public eye and the odd blog post that gets picked up all over my face isn’t on my work or in the public eye often. Plus, the nature of writing is that even if it was, direct interaction with people would be limited to certain times, or filtered by online formats.

So it’s different writing something that comes out years afterwards, while behind a wall of email and Facebook that’s on a computer I can turn off and building a client list by directly interacting with customers in the flesh.

And, I do feel that way about writing, a little bit. There is nervousness that my next project is going to suck. That I’ll disappoint readers, or my publishers. Or that I won’t be able to hit deadlines once I have to.

So I’ve been facing up to the fact that I expect failure. I expect myself to fail, even if I do my best. And I’m trying to let that go. It’s not easy. But it has to be done.