Werewolf Princess, chosen one of the legends and eligible bachelorette is back. This is the second book in a series, and…I tried to like it. I really did. I love the cover. The back blurb frames the Chosen One story in a way that makes it sound like Ashling is trying to fight for some autonomy in spite of this great destiny.

But in this book, she’s not. She’s deeply in love with Grey, the wolf/Bloodsucker/outcast who saved her from torture and rape in the last book (a rape that would by her culture make her completely worthless and an outcast. In fact we readers are treated to a number of “love scenes” wherein Ashling bemoans her inability to actually have sex with Grey, and a number of other moments where a woman’s value is what she brings to men and Ashling hates it, but never does much to fight it. She goes out of her way NOT to break these rules because of the shame it would bring to the men around her.) Grey is…less than wonderful. He’s not a terrible person, but like a delicate Victorian damsel (and Ashling) he’s not much more than a male to be the other half to her female, to protect her and desire her. He speaks in stilted, poetic phrases and gets crazy jealous about other men. Men that Ashling’s father are forcing in battle through the deadly BloodRealms in an effort to kill Grey and plant the wolf he wants as Ashling’s husband.

Yup, it’s that kind of story. Wholly grating and enraging in its attitudes and tolerance under the guise of the main characters being “helpless” to stop how their culture is.

Ashling, who has already been kidnapped, tortured and knows HER FATHER is trying to kill her man, tells her super loyal, very mysterious bodyguard to bugger off (she literally tells him to “take the night off”, flippantly) so she and Grey can run off to a beach and make out and sleep alone together under the stars (sure, romantic, but not very smart at all.) Then, after much bemoaning about how unfair the world (her father) is Ashling travels to an underground werewolf stronghold in Ireland where (her brother? Her sister? Some family member I never figured out) is getting married and Ashling is serving as a bridesmaid.

Virtually none of the interesting stuff is described. The werewolf tunnels? The other people? The journey? The wedding itself takes only a paragraph or two. But there are pages about how people are watching Ashling and how it’s unfair that Grey wasn’t invited to the wedding too. Because after all the trauma she’s been through Ashling needs Grey to ward off the panic and fear that overcomes her.

But she also spends a little time with the man she has been betrothed to by her father, Brychan. Brychan is a warrior. But he is kind, protective of her, and he gets her blood racing. But she still kisses him, multiple times. Moans about how she might have made a mistake in dismissing him.

And I was just done. Ashling’s father is mean, overbearing and sexistly male. Her mother is still with him and defends him even though she is helping Ashling and Grey. Most males are sexist, strong assholes who constantly want something from Ashling (who is pretty and special, and the only red-haired werewolf…from Ireland. That’s why she is the chosen one. Because of her hair and skin.) No time, at all, is spent trying to find ways to fight the culture, find allies in her quest to be with Grey, confronting, inspiring, or even talking to people. Ashling hides in her room and bemoans not getting her way, which comes down to getting to marry this man she and we know nothing about other than she is very attracted to him. A 17 year old is madly attracted to a man and wants to marry him and does not tell us, the reader anything about this person, why he’s a good person or why he’s a better choice than any other person around her.

The focus was entirely on Ashling’s emotions and not on the culture, the method she was fighting for her right to live her own life, or even on the plots that were going on around her. Maybe some reader would be engaged by that kind of storytelling, but clearly this book isn’t for me.

Strand is known for his humorous horror books. My favorites are A Bad Day for Voodoo and Wolf Hunt (the last is very much not YA). His loyal readers might come into this one expecting a teenage zombie movie getting taken over by real zombies. And they will be disappointed (but he says so at the beginning).

This book is not a Strand zombie book, it’s an ode to the long time legacy of movie making, the heroic independent filmmaker spirit, and the modern technology that lets anyone be an artist. Strand might lace this story with jokes and comedic timing, but in the end he’s telling the sad tale of three kids who are trying desperately to still believe in movie magic, the Santa-Bunny idea that if you try hard enough you can become rich and famous on the silver screen with a hand held camera, some photo shop and Youtube.

As a reader, you know this is going to be a disaster. Justin, the director is full of hubris. His best friends are not sure how serious they are about all this, but many times they lean heavily toward “hobbyist” rather than “True Believer”. Uncle Clyde, their special effects man is a mess, and a danger to them all to boot. By the end of the book you feel bad laughing at Justin’s misery, and yet I’m sure you can think of some ill-conceived plan from your own childhood that worked out as well (I tried to make spy gadgets like M from the Bond films, with no understanding at all of engineering.)

Readers looking for tales of magic or monsters gone wrong won’t find what they want in this book. But readers looking for guilty laughs and a very determined lead will find some fun here.

It’s not terribly clear whether Old Friends is an alternate to After the Fall or not. In the latter we see L.A. materialized in hell and some major changes to our cast. In Old Friends it’s clear the Wolfram & Hart take over, as well as much of season 5 of Angel happened. But likely Old Friends is before the major Angel finale or not cannon at all.

After some solo thinking (*coughcough male ennui*) Gunn hunts Angel down because evidence suggest that Spike is killing people again. Good people that is. When they begin their patrol the Other Scoobies? Angel’s Angels? Find out pretty quick that it’s not Spike killing, but Life-Model Decoys. In fact everyone has them, even Fred and Cordy, who have at this point in the canon, been killed. I know this is the Angel-verse, but the implication was always that they were dead-dead.

So who is cloning Angel’s friends and sending them to attack the gang, and why?

This graphic novel is big on the bro-snarky-mystery adventure theme. There’s a mystery. A few killers and two vampires with soul, plus their brother-from-another-mother (and an ancient goddess who devoured the soul of their friend) have to solve it and stop them before worse things happen. And true to Angel themed tales rather than Buffy ones, the baddie is after something a little more grown up than “world domination”

Angel: Old Friends is a good read, funny and actiony, with a good balance of art. Only downside? It’s a really short episode when it could have been half a season, at least.

Death, Disability and the Superhero by Jose Alaniz

University Press of Missouri, 2014

ISBN: 1628461179

Available: Print and ebook

This book is a beast. A heavy brick of text with a massive amount of research behind it, it’s not for casual comic book fans. But if you’re passionate about comic books and superheroes as a serious art form, a reflection of culture as much as any other fiction genre, this is a book for you. Alaniz starts out compiling themes and commentary on Golden Age superheroes and the ideals of culture they represented at the time. But the real meat is in his own research and take on the Silver Age of comics, the rise of Marvel and the expansion of superheroes from Ubermench to complicated characters.

Highly recommended because of the rarity of such studies on superheroes and disability culture.

Contains: discussion of violence, rape, and war

Book received from Netgalley.com

Reviewed for MonsterLibrarian.com

Pocket, 2010
ISBN: 9781439156797
Available: Mass market paperback and multiformat digital

Kira’s life is scarred by magic. Unable to touch others because of her power she threw herself into education, both in history and in becoming a slayer of the creatures of the Shadow. Now as an adult she’s a powerful Shadowchaser, the more fighty aspect of a secret organization dedicated to preserving the balance between Chaos and Light. As a follower of Ma’at, balance is very important to Kira.

Then a friend brings a powerful—and evil—ancient blade to her for protection, and he ends up dead in an alley. His death exposes links Kira didn’t even know they had, and makes her feel the loss even more keenly. Then a mysterious (sexy) Nubian warrior claiming to be the blade’s owner appears and when Kira discovers he can touch her without suffering the death that most people do, it changes everything for her.

Shadow Blade is a fantastic Egyptian-themed UF with a lead who’s the strong, calm type. While Kira has a little snark, there’s no jerkiness or bad attitude here, just a woman who cannot connect with humanity trying desperately to save it. It’s a fun, enjoyably complex read. Definitely recommended for UF fans and public collections.

Contains: sexual situations, violence, language