March 25

Your Alibi by Annie Dean

Your Alibi by Annie Dean

100% pure fun.

 

I thought about leaving it there, but hey, there are no word limits on my blog. My second experience with erotic romance Your Alibi is both different than the first and as good. It’s not bleeding with need, but it is pumped full of naughty fun.

 

Your Alibi is about Addie, a woman with the weight of a family on her shoulders, struggling to keep her mother’s beloved bed and breakfast alive. She finds a way, by providing alibis for people who are cheating on their significant others. It’s perfect because it’s both lucrative, and no one actually spends their time at the Grail. Until a handsome stranger arrives, looking for his wife.

 

There can’t be any complaints about a lack of plot here, Dean keeps the reader off guard, mixing lust and humor with down to earth fun. The characters are strong, the setting enticing and the pace is steady. You never know quite what to expect next, some line that stabs straight at the libido or an emergency penguin rescue. Even the parts you do figure out don’t go how you think.

 

Particularly impressive is the supporting cast, which aren’t just token supporters or agitators. Even the second string characters are fun and 3D.

 

It definitely passes the “must read lines out to who ever is close by” test. There’s heat, there’s sweet and in the end the line between romantic and sappy is nudged a bit, but not crossed. Like word wrapped chocolate Your Alibi is a good buy.

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March 25

Whiskey Sour by JA Konrath

Whiskey Sour by JA Konrath

Whiskey Sour is labeled “Mystery” but if it’s a mystery it’s the kind that rings your doorbell then punches you in the face, points and laughs rather than plays peek-a-boo with you. From the moment I finally found it I hoped it was going to be different. It does have a florescent cover after all.

 

Whiskey Sour is the first Jack Daniels mystery. Veteran police detective Jacqueline “Jack” Daniels is not only lead investigator in a nasty serial killer case she’s also been singled out by the Gingerbread Man as an adversary worthy of “special treatment”.

 

I was unsure for quite a ways into it. My trepidation and the things I liked were pretty much in balance. The tone to the writing is different than a lot of the stories I’ve read lately. Instead of the book wrapping itself around the reader it plays more like a private drama acted out before them. The action itself is the atmosphere.

 

I’m not sure about Jack herself. I did like that the main character was troubled, older and experienced. No young upstarts here. But Jack is neither a character I’d be able to enjoy a coffee date with nor one I’d want to dive into the story to help out. I don’t despise her by any means, but honestly I didn’t find a lot of sympathy for her either until after I knew what had happened between her and Harry. It took a while for her to show more emotion than just a cop. She’s not, in the end, an “I need sympathy” character.

 

Konrath also uses a writing tool that I am terribly skeptical about. Interspersed in the story from Jack’s point of view are chapters from the bad guy’s point of view. Normally I don’t like this mechanic. I generally don’t like as a reader (or as a writer like my readers), to know anything that the character doesn’t. But Konrath uses the technique well, putting the villain’s sections in present tense third person and Jack’s parts in first person past tense. This method absolutely would not have worked for me if the Gingerbread Man wasn’t such a proactive killer. If I didn’t know what he had done, specifically to attack Jack, then spend two chapters waiting for Jack to find her little presents, then I definitely would have been turned off.

 

But like I said, this mystery isn’t content to just sit back and slowly unfurl. It sits around a bit, gets bored, then jumps up and hits you with a baseball bat.

 

I’m still not sure if Konrath’s style works for me. He doesn’t pull his punches, he doesn’t hesitate or blur the shot. That does work for me. Whether I like the series as a whole or not I’m hooked for another book. Hopefully this time Harry gets what’s coming to him. This book rates a buy it for sheer balls.

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March 25

Twin Thieves by R. Thomas Riley

(Available through the Amazon shorts program here.)

If you want to try a taste of R. Thomas Riley’s fiction for a low price this is the story to buy. The aching tale of a man who just wants to be with his wife, and the wife who wants to leave him without telling him why, this one has heartbreak and just a tiny touch of the supernatural. This tale asks, are things meant to be, and if we could change them would they just end up how there were supposed to be in the first place? With no gore or violence this tale is still compelling and soulfully dark.

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March 25

Touching God by R. Thomas Riley

(Available through the Amazon shorts program here.)

A tale of the supernatural touching the mundane R. Thomas Riley’s “Touching God” is the story of two young boys, haunted by a dark secret who think they’ve found ad escape. Instead they find a hole in space and when they dare to wander through something follows them back. A vague monster story the shiniest part of this story is the characters, two brothers just trying to deal with the hand they’ve been given. Horror fans will find a soul in this story.

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March 25

Brittle Bones, Plastic Skin by R. Thomas Riley

(Available through the Amazon shorts program here.)

R. Thomas Riley’s “Brittle Bones, Plastic Skin” is a creepy tale of the unexpected reaches of life. Told in a musing form by a possibly crazy father it’s the story about a different sort of haunting and the effects it has had on one horrified family. Not the most powerful of horror tales, it will still make readers glance suspiciously out their windows and watch their surroundings more carefully. It’s also low on gore and high on tension, which will appeal to fans of horror who want to be scared and not just grossed out.

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