April 14

A Hat Dilemma

Last week (I’m still catching up from vacation) the fabulous and lovely Ann Aguirre guest posted at the equally fabulous and lovely Stacie Kane’s blog about her choice between reviewing and writing. Aguirre says:

However, as my career took off, I decided I was an author first. And part of that means not slagging off my colleagues because honesty aside, there is always the “competition” factor. People read your nasty review and think, damn, she’s just jealous that X is doing so much better than she is. It makes you come across as petty, even if you just genuinely didn’t like the book.

I understand this so well, and guys n’ gals, it totally sucks. There is no way around it. As a straight reviewer there is some “They’re just jealous” reaction when it comes to bad reviews (and to make things more complicated sometimes it’s true), but it’s a much bigger reaction when the reviewer is a writer too. That little accusation comes out so much quicker.

I suspect someday I’ll have to hang up my reviewing hat in the name of good business sense and keeping the peace with colleagues. Already I’ve bought books so that even if I don’t like the books the author friend still gets the royalties, I’ve turned down books, refused to review books, and left my ability to be neutral up to other editors (who have so far had faith in my ability to be honest).

There are a few points I have as to why I’m still reviewing:

1. I don’t think publishing is a competition, and certainly not a competition between people.

There are so many tastes, and opinions, voracious readers, trends, paths a career can take… you name it. Authors like Ann and Stacia aren’t my competition, not just because I’m not at their publishing level, or because it’s our books that (will) share space on the shelves, but because their success means good things for my success. Not just because I might, someday get them to recommend me to their audience or blurb my book, or even because they are readers who just might buy my book too, but because their books being published now keep readers engaged and interested to potentially read my books later. They are continuing to foster the audience and the love of reading that I’ll need to foster once I sell my books. they’re keeping publishing alive today so that I can publish tomorrow. Careers take different paths, work on different time lines and spike through different mediums all the time. If I look at the current books on the shelf, or at the other authors or writers around me as competition I’m already failing, discounting the value of the reader and the audience.

2. I believe friends can, and should be honest with each other. Even about the bad stuff.

It’s not easy, but the strength of a true friendship comes from loving each other not just despite your flaws, but because of them. I don’t adore my writer friends because they write great stories, I adore them because of who they are.

I do understand that sometimes pressure is too much (on both sides), and some people do get upset that their friends don’t love their work. I understand that I disappoint people with my reviews. In fact, more negativity has come to me from people upset that my “Liked it, didn’t love it” reviews weren’t “I totally <3 this” reviews than from my outright negative reviews. Which leads into:

3. I don’t know like writing negative reviews, but negative reviews are my opinion and no review/refusing to review is apathy and is a genre-fan sin.

This is why I try to be very specific when something disappoints me or outright upsets me in  book. Because talking about it is still talking about it (and some readers adore the very things I hate), it’s still getting that attention and dialog out there, and refusing to review it is refusing to add it to my scope of the genre at all. Plus, combined with the experience I mentioned previously, more people have been upset at me about the equivalent of three star reviews than for genuinely bad reviews. So I really can’t win. Even if I did refuse to write bad reviews someone would get upset because I didn’t recommend it highly enough, or because I didn’t lather the book with glowing praise.

4. Reviews aren’t just my opinion, they are my dialog with other readers.

This overlaps with my other points, but I feel I need to bring it up. I review for different sites, each one with a different target audience. Dark Scribe is a critical site that puts a lot of importance on a book’s value to the genre, the current mindset of readers and the long view of things. Monster Librarian is tightly focused on educating librarians on the horror genre and one the books that will give them the best bang for their buck. On my own I think about being a broke, but passionate reader with likes and dislikes like everyone else. I think about the wide variety of tastes in readers and who the books would appeal to, even if they don’t appeal to me.

A perfect example is A Rush of Wings by Adrian Phoenix. I’m a hundred pages into this book, and not really liking it. I find the characters boring and the plot cliche and over dramatic at times. But the writing is actually good, the setting descriptions are flavorful and I know EXACTLY who I’ll be giving my copy to when I finish it. I know who will love this kind of book. It’s not me, but there is an audience. What I try to do with my BookLove reviews is connect the right readers with the right books.

5. Right now reviewing pays more than writing.

Actually, I had a hard time with this one, because it seems like everyone wants me to read, review, endorse or help promote their book, but so very few readers and editors want to buy my books. In those dark moments it feels like the publishing industry wants to just take from me (money, time, effort, sanity).

But the rule of making it as a freelance writer is you have to focus on the things that pay your bills. Right now that’s reviewing. Reviewing has gotten me more contacts, more money, a larger audience and a firmer reputation in the genre world than writing alone has. If that changes, I’ll consider hanging up my reviewer hat. But until then, even if I upset other writers, I feel I’m doing what’s right for my career at this point, which is the best any author/writer/whatever can do.

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April 12

Phoenix and the Darkness of Wolves by Shane Jiraiya Cummings

Damnation Books has been putting out a number of good, solid reads thus far in its brief history. But none so far have been of the same caliber in the dark fantasy genre as Phoenix and the Darkness of Wolves by Shane Jiraiya Cummings.

In this post-apocalyptic fantasy tale, Damon – once a magician in the truest sense – hunts the charred scar that used to be Australia alone, trying to catch a literal phoenix and outrace the trapped, damned souls of his family that have been turned into shadowy wolves. Damon’s own role in the event that ended the world comes to light for readers during the story, making him something between hero and anti-hero…Read the full review at Dark Scribe Magazine.

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April 10

Interview – Rachel Hawkins

Interviewed for MonsterLibrarian.com

Rachel Hawkins is the author of the young adult paranormal title Hex Hall from Hyperion.    Rachel talks to Michele Lee about the release of her new book.

ML: Can you start out by telling us a little about Hex Hall?

RH: Hex Hall is the story of Sophie Mercer, a 16 year old witch who gets sent to Hecate Hall, a reform school for all sorts of magical creatures. Shenanigans, some near-murders, and kissing all ensue.

ML: Hex Hall brushes against the Harry Potter legacy before arcing out on its own, how did you try to stand out from the giant footprints left by Harry and his friends?
RH: Well, one of the ways I describe the book is, “What if you got sent to Hogwarts, only it TOTALLY SUCKED?” 🙂 In my mind, Sophie and all the kids live in a world where the Harry Potter books exist (Sophie even cracks a Hagrid joke), so I think having the character aware of how different their situation is from the Awesome-Sauce that is Hogwarts helps!

ML: What do you think are some of the challenges for writing for a young adult audience?

RH: Teens are the smartest readers ever, so you really have to bring your A Game! They can spot the tiniest plot hole, and they won’t let you get away with anything that feel inauthentic. So making sure my characters sound like real kids is definitely a challenge!

ML: Do you feel that being a teacher helped you write Hex Hall and connect better with a teen audience?

RH: Without a doubt! I taught 12th grade British Lit, so I was trying to take things like Beowulf and The Canterbury Tales and make them more accessible to teens. That really helped me nail my “teen voice.” Also, my kids were always bringing in books that they were reading and letting me borrow them, so I felt like I had a could handle on the kinds of things teens liked to read.

ML: Readers learn early on in Hex Hall that Jenna, vampire extraordinaire and Sophie’s room mate/best friend is a lesbian. Do you feel that this was a bold move, or does it reflect a higher level of acceptance teens have for “alternative lifestyles?”
RH: At the time I was writing it, I didn’t think it was all that bold. Jenna was a lesbian the same way she was a blonde; it was just part of her character make up. But I taught several gay teenagers, and I liked the idea of readers of all sexualities having couples to root for and identify with!  And I definitely think teens can be more accepting. At least I hope so!

ML: You’ve talked a lot on your blog about how much rewriting Hex Hall went through before it was perfected. Can you tell our audience here a little about the evolution of the book?

RH: My process is always a little weird, and it’s ESPECIALLY weird for Hex Hall. I basically wrote a draft and a half on my first run through. I’d written about 150 pages, and there were some elements that weren’t working (No Jenna! Or Archer! QUELLE HORRUER!). So I heavily edited those first 150 pages, then finished the rest of the book from that point on.

ML: Swag Question: What promo item have you always wanted to see your name on? Which one are you the most proud of?

RH: I really think the world needs Hex Hall flip-flops. 🙂 But seriously, I ADORE the Hex Hall t-shirts! They’re so cute and fun!

ML: Which authors are you totally in awe of and why?

RH: Soooo many. Eudora Welty, who just captures the South- with all its flaws- so beautifully. Diana Gabaldon who writes these big, freaking books that just fly by. John Green for so perfectly hitting what it feels like to be a teenager.

ML: Literacy is an ongoing challenge in today’s school. Can you recommend some books (besides Hex Hall) that you feel can help foster a love of reading in children and teens?

RH: Again, so many! A quick list would include anything by Libba Bray (ditto Cassandra Clare) Elizabeth Marie Pope’s THE PERILOUS GARD, Lindsey Leaviit’s PRINCESS FOR HIRE (so fun, you could die!), all of Lois Duncan’s books, every word Roald Dahl ever wrote… oh, we could be here all night!

ML: Finally, can you tell us a little about what’s coming next for Jenna and Sophie and the Hex Hall crew, and what’s next for you?

RH: For Sophie, et al, Book 2 sees them dealing with the fall out from Book 1, AND going on a Crazy Summer Vacation. For me, I’ll be starting Book 3 here pretty soon, as well as a few other Super Seeeekrit Projects.  😉

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April 9

Strange Magic by Gord Rollo

Important Note- 3/24/11: Many Dorchester (which includes Leisure and Kensington and more) authors have recently announced that Dorchester has been failing to send their royalty payments since mid-2010 and is also selling digital copies of books they no longer own the rights to and haven’t owned the rights to since December 2010. Furthermore they are refusing to release rights to books they aren’t paying royalties on and using you, the reader, as their excuse. More information is available here and while there are many wonderful writers under the Dorchester umbrella I have to, at this time, highly recommend that no one buy new books, print or digital, from Dorchester as the money is NOT going to the authors as it should.

Gord Rollo’s Strange Magic is a dark, twisted and only slightly supernatural tale of serial killers, magicians and revenge. Wilson Kemp is hiding a secret that starts with the fact that his name is an alias and deepens to the dark reason why he had to change his name in the first place. But all Kemp’s secrets are about to come to light (again) as a mysterious Stranger arrives in town, determined to enact vengeance on the slobbering drunk Kemp has become. Kemp knows who the Stranger is — his old show partner, who has been dead for over 20 years….Full review over at Dark Scribe Magazine.

April 6

Donny’s Day by Brandon Berntson

Reviewed for MonsterLibrarian.com

Damnation Books, 2009
ISBN: 9781615720583
Available: New

Donny’s Day is the surreal, graphic tale of Donny, who has been running from demons ever since the day, as a child, that he stole and read from a book that let them into the world. It’s short, very short, coming in at fifty-five pages of story. More than two-thirds is back story and dream sequences, and there are no attempts to separate reality from delusions. But the imagery is strong, and creepy, straight out of the best “What was that?” horror movie moments. Berntson is a skilled writer. Donny’s Day is just too musing and dreamy, and lacks the forward momentum and engaging plot to be satisfying to most everyday readers. Private collectors who enjoy tales heavy on mood and theme will find enjoyment here, but public collections catering to a larger swath of readers will probably not.

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