March 19

2009 Arthur C. Clarke Award Nominees

Thanks to Colleen Lindsay for the heads up. From SciFi Wire:

Ian R. MacLeod, Paul McAuley, Alastair Reynolds, Neal Stephenson, Sheri S. Tepper and Mark Wernham are the six authors shortlisted for the Arthur C. Clarke Award 2009, the prestigious U.K. prize for science fiction literature.

The annual award is presented for the best science fiction novel of the year, and selected from a list of novels whose U.K. first edition was published in the previous calendar year. The award was established with a grant from Arthur C. Clarke, best known for his novel 2001: A Space Odyssey. The award was first given in 1987.

This year’s six finalists are:

Song of Time, Ian R. MacLeod (PS Publishing)
The Quiet War, Paul McAuley (Gollancz)
House of Suns, Alastair Reynolds (Gollancz)
Anathem, Neal Stephenson (Atlantic)
The Margarets, Sheri S. Tepper (Gollancz)
Martin Martin’s on the Other Side, Mark Wernham (Jonathan Cape)

A prize of £2009 will be awarded to the winner along with a commemorative engraved bookend.

The winner will be announced on April 29 at an award ceremony held on the opening night of the SCI-FI-LONDON Film Festival.

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March 19

2009 Hugo Nominees

From Scalzi’s Whatever:

Best Novel

* Anathem by Neal Stephenson (Morrow; Atlantic UK)
* The Graveyard Book by Neil Gaiman (HarperCollins; Bloomsbury)
* Little Brother by Cory Doctorow (Tor)
* Saturn’s Children by Charles Stross (Ace; Orbit)
* Zoe’s Tale by John Scalzi (Tor)

Best Novella

* “The Erdmann Nexus” by Nancy Kress (Asimov’s Oct/Nov 2008)
* “The Political Prisoner” by Charles Coleman Finlay (F&SF Aug 2008)
* “The Tear” by Ian McDonald (Galactic Empires)
* “True Names” by Benjamin Rosenbaum & Cory Doctorow (Fast Forward 2)
* “Truth” by Robert Reed (Asimov’s Oct/Nov 2008)

Best Novelette

* “Alastair Baffle’s Emporium of Wonders” by Mike Resnick (Asimov’s Jan 2008)
* “The Gambler” by Paolo Bacigalupi (Fast Forward 2)
* “Pride and Prometheus” by John Kessel (F&SF Jan 2008)
* “The Ray-Gun: A Love Story” by James Alan Gardner (Asimov’s Feb 2008)
* “Shoggoths in Bloom” by Elizabeth Bear (Asimov’s Mar 2008)

Best Short Story

* “26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s Jul 2008)
* “Article of Faith” by Mike Resnick (Baen’s Universe Oct 2008)
* “Evil Robot Monkey” by Mary Robinette Kowal (The Solaris Book of New Science Fiction, Volume Two)
* “Exhalation” by Ted Chiang (Eclipse Two)
* “From Babel’s Fall’n Glory We Fled” by Michael Swanwick (Asimov’s Feb 2008)

Best Related Book

* Rhetorics of Fantasy by Farah Mendlesohn (Wesleyan University Press)
* Spectrum 15: The Best in Contemporary Fantastic Art by Cathy & Arnie Fenner, eds. (Underwood Books)
* The Vorkosigan Companion: The Universe of Lois McMaster Bujold by Lillian Stewart Carl & John Helfers, eds. (Baen)
* What It Is We Do When We Read Science Fiction by Paul Kincaid (Beccon Publications)
* Your Hate Mail Will be Graded: A Decade of Whatever, 1998-2008 by John Scalzi (Subterranean Press)

Best Graphic Story

* The Dresden Files: Welcome to the Jungle Written by Jim Butcher, art by Ardian Syaf (Del Rey/Dabel Brothers Publishing)
* Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)
* Fables: War and Pieces Written by Bill Willingham, pencilled by Mark Buckingham, art by Steve Leialoha and Andrew Pepoy, color by Lee Loughridge, letters by Todd Klein (DC/Vertigo Comics)
* Schlock Mercenary: The Body Politic Story and art by Howard Tayler (The Tayler Corporation)
* Serenity: Better Days Written by Joss Whedon & Brett Matthews, art by Will Conrad, color by Michelle Madsen, cover by Jo Chen (Dark Horse Comics)
* Y: The Last Man, Volume 10: Whys and Wherefores Written/created by Brian K. Vaughan, pencilled/created by Pia Guerra, inked by Jose Marzan, Jr. (DC/Vertigo Comics)

Best Dramatic Presentation, Long Form

* The Dark Knight Christopher Nolan & David S. Goyer, story; Jonathan Nolan and Christopher Nolan, screenplay; based on characters created by Bob Kane; Christopher Nolan, director (Warner Brothers)
* Hellboy II: The Golden Army Guillermo del Toro & Mike Mignola, story; Guillermo del Toro, screenplay; based on the comic by Mike Mignola; Guillermo del Toro, director (Dark Horse, Universal)
* Iron Man Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway, screenplay; based on characters created by Stan Lee & Don Heck & Larry Lieber & Jack Kirby; Jon Favreau, director (Paramount, Marvel Studios)
* METAtropolis by John Scalzi, ed. Written by: Elizabeth Bear, Jay Lake, Tobias Buckell and Karl Schroeder (Audible Inc)
* WALL-E Andrew Stanton & Pete Docter, story; Andrew Stanton & Jim Reardon, screenplay; Andrew Stanton, director (Pixar/Walt Disney)

Best Dramatic Presentation, Short Form

* “The Constant” (Lost) Carlton Cuse & Damon Lindelof, writers; Jack Bender, director (Bad Robot, ABC studios)
* Doctor Horrible’s Sing-Along Blog Joss Whedon, & Zack Whedon, & Jed Whedon & Maurissa Tancharoen , writers; Joss Whedon, director (Mutant Enemy)
* “Revelations” (Battlestar Galactica) Bradley Thompson & David Weddle, writers; Michael Rymer, director (NBC Universal)
* “Silence in the Library/Forest of the Dead” (Doctor Who) Steven Moffat, writer; Euros Lyn, director (BBC Wales)
* “Turn Left” (Doctor Who) Russell T. Davies, writer; Graeme Harper, director (BBC Wales)

Best Editor, Short Form

* Ellen Datlow
* Stanley Schmidt
* Jonathan Strahan
* Gordon Van Gelder
* Sheila Williams

Best Editor, Long Form

* Lou Anders
* Ginjer Buchanan
* David G. Hartwell
* Beth Meacham
* Patrick Nielsen Hayden

Best Professional Artist

* Daniel Dos Santos
* Bob Eggleton
* Donato Giancola
* John Picacio
* Shaun Tan

Best Semiprozine

* Clarkesworld Magazine edited by Neil Clarke, Nick Mamatas & Sean Wallace
* Interzone edited by Andy Cox
* Locus edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
* The New York Review of Science Fiction edited by Kathryn Cramer, Kris Dikeman, David G. Hartwell, & Kevin J. Maroney
* Weird Tales edited by Ann VanderMeer & Stephen H. Segal

Best Fanzine

* Argentus edited by Steven H Silver
* Banana Wings edited by Claire Brialey and Mark Plummer
* Challenger edited by Guy H. Lillian III
* The Drink Tank edited by Chris Garcia
* Electric Velocipede edited by John Klima
* File 770 edited by Mike Glyer

Best Fan Writer

* Chris Garcia
* John Hertz
* Dave Langford
* Cheryl Morgan
* Steven H Silver

Best Fan Artist

* Alan F. Beck
* Brad W. Foster
* Sue Mason
* Taral Wayne
* Frank Wu

The John W. Campbell Award for Best New Writer

* Aliette de Bodard*
* David Anthony Durham*
* Felix Gilman
* Tony Pi*
* Gord Sellar*

Congratulations to all the nominees!

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March 18

Zombie Attack!!

Promo goodies for Rot got here today. Much fun was had. You too can sport this awesome hat and show how much a zombie fan you are this summer when I give it away as part of a prize package to someone who buys the book.

jasonzombie1jasonzombie2

imrotten2

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March 15

Watchmen by Alan Moore and Dave Gibbons

Click to Buy
Click to Buy

Warning, this review will contain spoilers.

Trade Paperback: 978-0-930289-23-2, $19.99

Let’s get right to the point with this one; I just didn’t connect with this story. I found it slow, with more than half the book being world set up and a series of convoluted flashbacks. I found none of the characters sympathetic, save for Jon (and possibly Night Owl), and in fact greatly disliked many of them. I had to wonder why the whole book was spawned off the death of The Comedian, who was a rather atrocious person, and centered on Rorschach whom I strongly suspect is related to Jesse Custer.

Furthermore, I found all the stories within stories (newspaper clippings, book excerpts, the overlapping comic-within-a-comic etc.) quite distracting and mood breaking. And I admit I had a real problem with the constant reminder of the world’s prejudice and concern with Jon, spun from the fact that no other supernatural creatures existed at all and all the “masked adventurers” were merely human, when the entire climax of the story is dependent on psychics (who didn’t exist up until that point in the story.)

I also found a lot of little gripes, like Veidt’s superiority complex (specifically the idea that even though he was highly educated and raised quite privileged that by giving all his inheritance money away he somehow started his adult life on an even playing field as the rest of us), the original Silk Specter’s confusion about her near rape (okay, I’ll be honest, next to the Comedian I hated this character the most) and the second generation Silk Specter’s complete forgiveness of her mother’s constant manipulations and disapproval. While the tension of a nuclear war added to the over all world building and tension Veidt’s political and environmental psychobabble felt clichéd and, in the end, the story was not at all about politics, human evil or environmentalism, but instead was about what it means to be God and what it costs to play God.

So, all the bad stuff aside, I can see why people have been draw to this story. The sheer unlikeability and humanity of the characters is a draw (and if you’ve read my essay on Superhero Psychology you’ll know that I am draw to very flawed, very human heroes who fight to become something more). The world feel, which I would argue could have been sacrificed for more character building of the Watchmen, however I admit something would have been lost, is full and unique, stark and trying (but failing) to be beautiful. There are some striking images, but far less than in modern comics, and none as impacting as the smiley button with a drop of blood that graces the cover.

And finally I have to give the book props because it was revolutionary when it came out and it’s highly likely that part of my failure to connect was because I’ve read a lot of comics likely influenced by Watchmen and am unfairly used to many of the storytelling tools used to make Watchmen stick out.

In the end, Watchmen is a piece of classic comic culture. It’s a genre-specific equivalent to reading Shakespeare or To Kill a Mockingbird by Harper Lee. Even if you don’t enjoy it, it does help build a wider view of where the genre came from and how it’s evolved.

March 13

Happy International Zombie Awareness Day!

I wasn’t planning to do this for a while, but how could I pass up tie-in chance like this? In honor of National Zombie Awareness Day here’s an exclusive excerpt of my upcoming novella, Rot.*

*Excerpt is from a galley, not the final version.

* * *

When I met Amy she’d been back from the dead for four days. She’d been at the facility for three of those days. At that point I’d only been there two. Not that anyone needed more than a few moments to get the gist of the place. She was more bitter about being at the facility than about the being dead part, and honestly I didn’t blame her.

She had a scowl on her face as I walked into the office at the Silver Springs Care Community. She was pretty, pale skin graced with freckles, chin length soft-looking brown hair and the palest hazel eyes I had ever seen that made the attractive, mildly chubby early twenty-something year old woman into something extraordinary.

“You’re dead.” I couldn’t stop it once I’d thought it. The words fell out of my mouth like something rotten. Her scowl deepened and I felt bad immediately.

“You know, I hadn’t noticed. Thanks for telling me.”

“I didn’t mean…Look, all of the zombies I’ve seen so far have been…”

“Like them?” She pointed out the window to the grounds, to where I could see a keeper leading a train of dessicated corpses on their daily walk.

The facility employed people with enough skill at raising the dead to keep the zombies’ urge to chew on people at bay. Me, I didn’t have a talent for commanding the dead. What I had was twenty plus years of military and security experience and the ability to look someone’s ninety-year-old grandmother in the eyes and shoot her.

The job called for all sorts of skills.

“Some of us still retain our own thoughts and personalities. I’m Amy, by the way.” She didn’t offer a hand. She held her arms across her stomach and leaned forward slightly, those eye boring into me. She was at once defensive and furious. And absolutely lovely.

I nodded. “I’m Dean.”

“Which would you prefer, Dean? Being one of those things out there, rotted to mindlessness? Or being locked in a body that’s already dead and knowing that’s the future you’ll face? Knowing that someone loved you enough to not let you go, but didn’t love you enough to care for you themselves? Instead they locked you in here, where they didn’t have to see you or smell you, but could take comfort in the idea that you weren’t exactly dead any more.”<

Personally, I thought both options sucked.

* * *
It used to be that death, maybe even a long or violent death, would be the worst thing you’d ever have to face. In the few skirmishes I’d served in, other soldiers had taken some comfort in knowing that. But then, that was before they started raising people from the dead.

My nephew, not that long ago, used to play a video game where the point was to wander around shooting zombies. There was only a little more to it than that, a bit of mystery, a touch of evil corporation or government conspiracy. The games said that zombies were the result of a disease.

When they started showing up in real life, people assumed the same thing. Government experimentation, biological terrorism, some sort of corporation poisoning the public–the fear and the outrage from the living humans caused more damage in those days than the few confirmed zombies did. I was privy to a few case reports of home grown terrorists plots against global corporations who had nothing to do with the occasional walking dead. They were just good targets.

And there was Black Wednesday, too. Forty-five civilians dead. They never did confirm how many employees of that soda company burned, barricaded inside the building, by an outraged mob.

Then the truth came out, and I still wonder how many people harbor the secret memories of doing violence that day in the name of protecting themselves or their families. Creating zombies, it turned out, was just a matter of will. The first few we caught in public had likely raised themselves. A few assholes too stubborn to die.

The problem came when people started to make zombies for fun and profit. About two percent of the general public had the will to force people back from death. It was a very lucrative, completely unregulated business.

Places like Silver Springs came in at the end of the line. A loved one coming into our facility was a brutal lesson for those involved. Too many people fell into the category of potential customers, but not enough people ever saw what happened once a zombie entered the gates. I don’t doubt that having a place to tuck away your loved one, who turned out to be just a bit too much for you to handle, was useful. But if more people saw the end result of never having to say goodbye, they’d damn well learn to say goodbye.

Amy, yeah.

“So,” she said after I failed to answer her out loud, “if you don’t mind my stench, I’m here to help out.”

I declined to add any more fuel to her little fire. “What can you help with?”

“I’m good with computers, and organization. I’ve been an office worker and a nurse before.”

“Good, because I’m not good at any of those things.”

“Why are you here, then,” she asked.

I shrugged. It was a job. “I guess I’m mostly just for when things go wrong.”

She snorted. I hadn’t killed her the first time. But chances were high that when she finally lost control I’d be the one to put her down. It was a shame, but we both knew it. In another time, I might fancy that my old ass might have a chance to enjoy the pleasure of her company, if only for dinner and conversation.

We were the only ones in the office. It wasn’t the office outsiders saw. It was more functional than the maroon and white show room out front. For one thing there were bars on the windows, as pretty as they were, and the heavy steel doors were magnetically seal, verified for at least 1800 pounds of force. The front room was not safe, should the facility go all Jurassic Park. But the rest of the building was.

I leaned back in the chair, propping my feet on the desk and keeping an eye on the security grids on the computer screen in front of me. Amy sorted through stacks of paper mechanically. Sometimes she filed things away, sometimes she tapped madly at the keyboard, recording files or transferring them to home office in the city. Of course, that place did nothing but record what happened here. It was our black box, not our calvary.

“How did it happen?” I asked the silence. I wasn’t comfortable with Amy at my back, but I was even less comfortable treating her like she wasn’t really there, like many of the other employees did. I turned toward her, still keeping the monitors in my peripheral vision. “Is that too personal?”

“Probably, but believe it or not no one ever asked. Not here any way. It’s probably in my file.”

“Don’t take it personally. It’s easier to keep a distance than to sympathize with a terminal patient. It’s human nature to avoid pain.”

“Stroke,” Amy said. She still wasn’t looking at me. It bothered me. I guess I thought that since she didn’t look dead something in her eyes might betray her. Not being able to see them kept me from reassuring myself.

“A stroke? But you’re so young.”

Amy shrugged. I had the feeling she was hiding a lot of how she felt. “I don’t remember dying. I just know what it says on my death certificate.”

“Morbid fascination?”

“No. My husband threw it in my face before he had them bring me here.” She paused and looked off into the grassy expanse out the barred window. “He had me raised because he couldn’t let me go. But he couldn’t find it in himself to touch me. ‘You’re not my Amy anymore,’ he told me. Then he called his new girlfriend over to console him when they took me away.”

“And you didn’t fight it at all?” The thought of just passively leaving the person I loved seemed alien to me.

“Are you kidding me? If I’d showed any kind of emotion other than obedience they would have napalmed me right there on the street.”

I stayed quiet. No, it didn’t seem fair. But I’d seen bodies in the morgue that had been savaged by angry or mindless zombies. That wasn’t exactly fair either.

“What about you? What brings you to our fine zombie herding establishment?”

I thought about lying to make her feel better, but she’d given me the truth. “Money. This field is so specialized it pays real well.”

Amy finally looked at me and smiled, viciously. “At least my husband is paying for one of us.”

Category: Business, My Work | Comments Off on Happy International Zombie Awareness Day!