October 13

Interview with Tracy Goodwin, author of Dance with Deception

*My review of Dance with Deception is here.

-Of all the periods of the past, why did the Victorian era call to you?

Both the Victorian and Regency eras are among my favorites. The reasons that I chose the Victorian era as the setting for Dance With Deception were quite simple, really … plot and research.

Dance With Deception is the first of a trilogy and, when choosing the time period, I had to keep all three novels in mind. I knew where I wanted to take the plot and what politics/inventions/modes of transportation/battles were necessary so I set the plot in early Victorian times.

-Gwen is obviously an intelligent woman, and split between defiance and duty. Did you model her after anyone in particular?

From the beginning, I always saw Gwen as an intelligent, compassionate woman whose opinions were cast aside for no other reason than the fact that she was born a woman. When writing about Gwen’s plight, I didn’t model her after anyone in particular but, rather, tried to put myself in her shoes. I imagined being in a situation where women had no rights and were beholden to their guardians. I tried to delve into Gwen’s emotions and wanted to portray not only her helplessness but her anger at being placed in such a position where she must chose between her heart’s desire and her duty to her father.

-What about Sebastian? Yum! Can you tell us a bit about the difficulties of making these two characters so passionate about each other?

The love and passion that Sebastian and Gwen felt for each other was truly easy to write – perhaps because I’m a romantic at heart? What I had to work extremely hard on was goal, motivation, conflict – what every Romance Author learns about when studying craft. I had two characters who truly loved each other and then had to make their actions, their journey believable.

-Dance with Deception is a very texture-oriented story. How did you manage to pack such sensory details into your book?

With a great deal of effort! I want readers to feel transported to the world I write about so the necessity of the characters and, therefore, the readers to experience the tale through all senses is something I concentrate on from that first draft straight through to the final draft.

-How much research did you have to do for Dance with Deception?

Every Historical Author does a great deal of research. My office book shelves are overflowing with research books on topics spanning everything from the Victorian era and British history to costumes, etiquette, and even the complete guide to horses and riding. I also have research books on Greek mythology, astronomy, a dictionary of plagues and pestilences, Latin quips, castles, and royal palaces. It never ceases to amaze me where inspiration originates or, for that matter, how much of it flourishes from research.

-Have you thought about tackling any other periods?

I have considered other time periods and currently have several stories outlined (in the Regency and Contemporary periods) but, for now, I continue to write about the Victorian era.

-What are some challenges you feel romance writers have that other genre writers might not?

Romance writers tackle the stigma that comes from writing Romance – the same stigma that comes from reading it, for that matter. Despite the fact that Romance fiction is a billion dollar a year industry (per Romantic Times Book Reviews magazine), there are still people who shun Romantic fiction. How many times has someone frowned when seeing that you’re reading a romance novel? The same holds true when some discovers that you’ve written one. But, regardless, the fact remains that people both write and read romance for the same reason – because we enjoy it. I hope that my love of the Romance genre is evident through every page of my novels.

-Do you think as a romance writer you have any advantages over writers of other genres?

I can’t speak of other genres, but I can say that the Romance community is the most wonderful and encouraging that I can imagine, thanks in part to organizations such as The Romance Writers of America. In what other genre can a debut Author receive Author quotes from New York Times Bestselling Authors Barbara Dawson Smith and Hannah Howell, and from Bestselling Author and RITA winner Gayle Wilson? I count myself blessed to be part of such a genre.

-I love hearing about the origins of stories. Where did Dance with Deception come from?

Dance With Deception began as a story in my imagination, one that I’d wanted to tell for some time. I honestly don’t know where or when it originated but perhaps it was born from every novel I’d ever read such as my favorite classics by the Bronte sisters and Jane Austen?

After imagining my characters and this story for so long, it was my husband who encouraged me to finally write Dance With Deception. Honestly, so much of Authoring a novel stems from love – love and encouragement from your loved ones, love of your story, your characters, the genre and the craft. Many of us don’t know if anyone will like the story we’re writing or if anyone will publish it but we write it anyway – because we love doing so. For anyone currently experiencing this, I want to add that dreams do come true … I’m proof of it. Dare to dream!
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-What do you have planned next?

I am currently completing my next two in the trilogy, Enticing Eve and The Skilled Seduction. My hope is that, like with Dance With Deception, people enjoy reading them as much as I enjoy writing them.

October 10

Death and the Maiden part 5

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“Life’s pornographic”, a line from this issue, sums up the vibe of Death and the Maiden, from part one to this installment. This issue is very pornographic, with nude and nearly nude sexed up scenes and characters that look like blow up dolls. The story is serious though, a dark struggle between empowered women who serve a lustful goddess and men who resent the female rule of the universe and have split off and formed an effort to bring them down in the most vicious way possible.

The problem with this series is the presentation. Past the fact that the artificial look of the characters turns some people off the art does a mixed job of setting the mood. Panels looking up at Flip, our heroine, as if from the floor, in an almost up-skirt style, add to the explicit (but not necessarily erotic) feel of the story, but next page over the page might be overpowered with red, the backgrounds like a photo with the brightness turned up and the contrast turned down. It’s jarring.

At times I suspect that the visuals weigh heavier in importance than the story. It’s hard not to wonder how this series would play as a book rather than a comic where the visuals could not possibly pull away from the story.

In this issue Mr. Death is missing and Flip the cat girl (excommunicated servant of the sex goddess of Babylon) goes back to the District (where the story started) to find out where her love is. To her great dismay she discovers that Jules, Mr. Death’s archenemy and a Black Knight (one of the men who want to destroy the female rulers), is holding Mr. Death hostage. Surely Jules plans to force Mr. Death to be judged for turning on the Black Knights. Flip was exiled from the Babylonians because she was primed to fall in love, but looks like Mr. Death will be the one to pay for their love. And it doesn’t help that Jules is running a morbid, dangerous side business that makes flip and even bigger target.

There’s an interesting theme of Flip, since she’s a Cat Girl, being hopelessly attracted to the the people who would be the cruelest and most using of her, and yet she has to hold herself together if she wants to save the man she loves.

Moving from a strip in Murky Depths magazine to its own comic series has opened up this world to more depth and emotion. Despite the jarring visuals the story is interesting, super sexual and energetic, which is what keeps me reading.

October 9

Moon Madness

Just a note on Moon Madness, yes, I’m just over 50 words from hitting my word count goal. But I’ve also only written 47 chapters out of the 56 I have outlined.

This is a big deal for me though because 1) I don’t usually outline more than 5 chapters at a time and I had 12 chapters outlined on Monday. And 2) I’ve never had a first draft hit over 65k. This one might hit my general novel goal of 80k.

And because I’m sure you want more than writing metrics, have a free sample.

~

The following is an uncorrected preview. You can listen to the whole first chapter here.

The thing about Rick and Lydia is that they were never human. They grew up in werewolf families. Even if they had never changed they would have lived their lives in werewolf families, probably having werewolf kids, and the pack life was as natural to them as hiding from my mother in my room was to me.
They were good people, never doubt that. But there were some things they didn’t understand.
“We all feel the natural pull toward a pack, toward others of our own kind,” Lydia explained at our second meeting. The twins were taking a nap, and Rick, who owned a number of properties around town, was showing a house to prospective new renters. “The thought of being alone, without a pack, it’s not something most of us associate with any sort of positive emotion. Our wolf sides are incredibly social. Our human sides are incredibly social. The thought of being without a group, well, it’s not a thought. It’s a fear.”
I wasn’t afraid of it. I was afraid of these people, a little bit at least. I was afraid of blind loyalty, blind need. That’s human as well, as much as needing others of our kind is.
Lydia sat next to me on the couch, so we could speak quietly together. She reached out and touched my hand. I found it peaceful. There were no expectations, just concern, and she didn’t even really know me. “I understand if you’re nervous. You seem to be okay with the physical parts of shape shifting, which is a twist for us. Typically we all grow up knowing our parents’ packs, forming and testing out our own from a young age, playing dominance games as young as the twins. Usually we master the social long before we even face the physical aspects of the change. So I imagine if I take everything I felt when I realized I would live my life as a werewolf and turn it around into the social world being the shock, I think I can understand how you feel.”
“It was nice. I’ve never hated it.” I said, thinking of how I could describe it. “I always accepted it was part of me, but now… there are rules, and people who get to tell me what to do, and where to go. I have to ask permission to go into Chattanooga, or to visit my cousins in Atlanta.”
“And you don’t like the feeling that other people can run your life?” Lydia chuckled, not at me, at least, I didn’t think so. “Ah, darling I think you’re a natural dominant. Some people take comfort in knowing that someone will always be there to help them, to swoop in and tell them what to do to solve a problem. Some people need to be told what to do. And if that gets under your fur then there is absolutely nothing wrong with you rising to the dominant positions. But you need to know how to do that first.”
“I bet it has something to do with fighting.”
“Well, yes, usually. Not always, because it’s not only about who is the biggest, strongest wolf in the pack.” Lydia offered me a cookie. It looked like chocolate but smelled like mint. “But it’s safe to assume that fighting will be part of it. We don’t fight much in this pack. But in others… we’re not all good people, Nika. In some packs there’s a lot of fighting, bad fighting, and not always for the right reasons.”
“So what do I need to do to join this pack?”
Lydia smiled and chewed her own cookie bites. “It’s like a job. How did you get your job?”
“Bob, the guy who had it before me retired and recommended me as a replacement. I’d already worked at the paper for three years, summers mostly, so they hired me rather than trying to find someone else.”
“Okay, so maybe not quite like that.” She smiled. “First we’ll train you, teach you the basics that everyone else picks up in the years before, or right after their first change. Then we’ll sort of apprentice you, make you a part of the pack, but on parole. You can’t fight battles or rise in rank in that time, but if you screw up, unless it’s something big, it won’t be held against you either.”
“So what do I need to learn?” I asked.
Lydia laughed. “You want some paper so you can take notes? Let’s start with the rules.”
Rule One: Do not expose yourself, or anyone else to humans. We weren’t exactly hidden. But it was in our best interest to not let the normals know we were here, and we were real. Two hundred years ago we would have been burned as witches. A hundred years ago we would have been drugged into a life as madmen in asylums. Now, well, things are changing fast, but who wouldn’t feel threatened by someone who could become bigger, stronger, fast and heal like a comic book character? And who wouldn’t want to be one, even if their genes didn’t agree? What about power hungry world leaders, who could recruit whole secret armies of super soldier in the form of shape shifters? Or people who even now would still want to set us aflame as creatures of the unholy? To survive, stay secret.
Rule Two: Do not kill humans. It wasn’t sporting. It wasn’t fair. And furthermore it often violated rule one. To survive, preserve the uninitiated.
Rule Three: To betray your pack is death. Changing packs, or alphas was all allowed. Betrayal was something different. Exposing your pack mates to human examination. Not defending your pack should war break out between two sects. Killing a pack mate outside of a challenge circle. Killing a pack mate when it wasn’t absolutely necessary. To survive, defend your own.
Rule Four: Obey the chain of command. If you can’t obey one alpha, find another one that you can obey. Obey those above you in the pack hierarchy or replace them. To survive, obey.
Rule Five: Survive. It meant more than just as an individual, it meant as a species. You, survive, and make more werewolves to help the line survive.
What Lydia didn’t tell me, what I only found out later, was that other packs were like other worlds. And not all of them played by the same rules.
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October 7

Wraith by Phaedra Weldon

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Zoë Martinique lives in a strange life. Her mom runs a tea/occult shop out of an old Victorian house, with the help of the ghostly gay couple that haunts the house and Rhonda, an urban fantasy cross between Penelope Garcia and Abby Sciuto. And Zoë herself is a strange character, possessing the ability to shuck her body and astrally travel about the city at will. It’s Zoë’s career path, auctioning her services as a super spy off on ebay, that leads to trouble when on an out-of-body spy mission she witnesses a creepy, Vin Diesel look-alike kill and reap the soul of a vice president of a major Atlanta company. Worse the creep marks her somehow, binding the two of them together and sending Zoë on a life changing mission to save herself and others.

I have very mixed reactions to this book. To begin with it was very hard to get into. Zoë makes a lot of TV/movie references, she speaks directly to the reader often and her attitude is rather childish. Zoë’s mother, the ghosts and Rhonda come off flat, and, honestly, annoying. The flow of the action, and therefore the tension, is consistently interrupted by Zoë’s comments to the reader or attempts to be funny (usually with pop culture references) which nine times out of ten aren’t. At one point, after the plot finally starts to be interesting, the flow is completely broken by a scene in which Zoë’s “loving” mother holds Zoë at gunpoint and forces her to submit to an exorcism. I very nearly stopped there. Even though she’s 28, Zoë’s mother, Nona, treats her like child, even to the point of drugging her and physically restraining her to keep her from following the plot. Not only does this make Zoë seems even more childish, and disrupt the core plot, dragging it out more than needed, but the later references to Nona only acting out of love just don’t coincide with her actions making the mother-daughter dynamic feel more like an abuser/Stockholm syndrome relationship.

However, there are some interesting ideas in Wraith. Primarily is the reoccurring theme of people using Zoë’s body against her. She gained her power during a traumatic rape and even after she becomes comfortable with it over and over people capture Zoë’s body while she’s out running around astrally and use it as leverage against her in a variety of ways. Whether Weldon realizes she’s layered this theme into Wraith or not I’m not sure, but I did find myself continuing, wanting to see Zoë overcome this problem as much as I wanted her to have beat off her original rapist.

The dynamic between Zoë and the two leading males in the book is also interesting, especially as unlike other urban fantasy books that stick closer to the romance Happily-For-Now ending this series seems poised to go into some very dark, rule-free territories that are interesting and new.

There’s also something to be said for the plot itself, which has unexpected twists of mystery, centers around planes of existence rather than the ways the character exist and spans into a multitude of human races that are sometimes missing from other urban fantasy tales.

I’m not sure I can recommend Wraith at this point, but I can’t exactly dismiss it either, making it one of the more difficult reads, and difficult reviews I’ve done in a while.

October 4

Books I bought/received: September 2008

Name: Michele
Month: September
What books/magazines did you buy this month? Why did you buy them?
-The Witching Hour by Ann Rice, used, from a thrift store, because it’s a 1st ed. hardback of a book I enjoy
-Great Ages of Man: Ancient America, used, from a thrift store, research
-Great Ages of Man: Byzantium,used, from a thrift store, research
-Great Ages of Man: Barbarian Europe, used, from a thrift store, research
-Great Ages of Man: Ancient China, used, from a thrift store, research
-The Next Fix by Matt Wallace, new, from the publisher’s web site, because I wanted to read it
-Beauty & Dynamite by Alethea Kontis, new, from the publisher’s web site, liked short work by the author
-Exploring the Northern Tradition by Galina Krasskova, new, from Borders in store, Husband’s choice
-Essential Asatru by Diana L. Paxson, new, from Borders in store, husband’s choice
-The Complete Illustrated Encyclopedia of Witchcraft & Practical Magic, new, from Borders in store, research
-Bunnicula by Deborah and James Howe, new, from Borders in store, for kids/review
-VAMPS by Nancy A. Collins, new, from Borders in store, for review/Monsterlibrarian project
-Eyes of the Crow by Jeri Smith-Ready, new, from convention, research/interested in trying the author
-Firebirds Rising, new, from convention, interested in the book
-Bestial: Werewolf Apocalypse by William D. Carl, new, from convention, interested in the book
-Mama’s Boy by Fran Friel, new, from convention, interested in the book
-Dead Until Dark by Charlaine Harris, new, from Borders in store, because I like the book and never had a copy of my own
-Dead to Me by Anton Strout, new, from convention, I want to try out the author
-The Android’s Dream by John Scalzi, new, from convention, I love Scalzi’s blog
-Working for the Devil by Lilith Saintcrow, new, from convention, research
-The Good Fairies of New York by Martin Millar, new, from convention, research
Did you download any free books this month? Why did you chose to download them and where did you download them from (author web site, publisher web site, bit torrent site)?
*Books/ARCs I received for possible review this month:
-Attack of the Two Headed Poetry Monster
-Blood of the Dead by A.P. Fuchs
-Kandide and the Secret of the Mist by Diana S. Zimmerman
-Catacombs and Photographs by Brandy Schwan
-Any Given Doomsday by Lori Handeland
-Agnes Hahn by Richard Satterlie
-Killing Kiss by Sam Stone
-Death and the Maiden pt. 5
-Heaven’s Bones by Samantha Henderson
*Books Won or Given This Month:
-Dead Sea by Brian Keene, at Context 21
-Juno Books 2008 Sneak Peek
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