March 13

Preview: Pleasure Horse from M. Lush

*M. Lush is my naughty side. Pleasure Horse is the third in my erotic romance novella series and will be available as soon as Amazon releases it.

1.

Gemma’s forelegs folded under as her rear legs pushed her up over the white bar. Fake green brush moved past in a blur. On her back, Sammie held the reins tight for a moment to prevent the mare’s habit of breaking into a full run as soon as all four feet were back on the ground. Sammie settled herself back into the saddle with a touch more bump than she would have liked.

At home in the ring this is when she usually started criticizing her own performance. But this wasn’t her home ring, this wasn’t practice, so Sammie gave the mare a touch more rein and looked straight forward to the triple combination. It was the tricky one. Three individual jumps only a few strides apart, and the last had the most shallow cups on the course, which meant it was the easiest to knock free…

Then Gemma’s front legs were folding again and Sammie felt herself rise from the saddle, over Gemma’s neck, her arms sliding forward to allow the mare to catch her own balance on the landing. Jump, stride. Jump, stride stride. Jump. When the crowd, one voice louder than the rest, cheered instead of booed Sammie let herself breathe. Not that they ever booed, but she’d expect it to come if the sound of poles clattering on the ground did as well.

Her chest tightened when the last fence rose up at her like an unexpected afterthought. Gemma took a tight, extra step before launching herself over. The jump was a bunny-hop. Gemma and Sammie popped over the fence, coming down before they were completely clear. Practice kept Sammie’s face blank, but at home she’d have been cursing at herself for sure.

Inside she was. When she watched the Olympics this was when the crowd would hold their collective breath, or gasp, then clapping or “aw” would come, along with the announcer telling the at home audience the result of the knock. As this was a smaller, local show and not an international one, the audience never really hushed. But an announcer did crackle over the loudspeaker as she let Gemma trot out of the ring announcing “Samantha Carter, no faults”.

Sammie breathed in great lungfuls of air. No faults meant the bar hadn’t come down despite the mess she’d made of the last jump. If this had been a hunter class she’d have been screwed for sure, since looking pretty and performing well was part of getting a clean round. But jumper classes were just about getting over the jumps without knocking anything down in the allotted time. It saved her ass this time, but she snarled at herself mentally, vowing not to let it happen again.

She couldn’t let herself blame Gemma, who nodded her head, playing with the looser rein Sammie gave her now. Instead Sammie replayed the ride in her head, looking for when she’d gone wrong. There, right before the last jump her attention hiccuped and she hadn’t been counting strides like she should have. She couldn’t remember if she’d actually been counting strides, or only remembered counting because she’d done this so much before.

“Great ride,” a male voice called out. From the small circle, filled uncomfortably full with riders warming up, Archer McKinley–on yet another new horse, Sammie noted–gave her a smile and a thumbs up. He had the same look to him as he always did, perfect pale breeches, tailored dark jacket and shined boots in a saddle that gleamed and sitting astride a horse whose braided mane sported not single flyaway hair. Even the speckles on the peppered gray he rode this time looked uniform, like he’d filled in the bare bits with eyeliner or something.

Sammie offered him a polite nod, because any slip at politeness might be translated by the gossipers as a snub. “Thanks,” she said, blaming the shortness of her words on breathlessness after her ride.

Archer, offered a little bow in his saddle before riding up to wait for his turn.

Sammie let Gemma take her forward, away from the mess of riders and onlookers watching the classes. She used to hang back and watch the other competitors, but then she learned that just made her neurotic. It was easier to back completely away and watch the video of her class for analysis later. Dee tried to make the review, taped by an available barn hand for those who were trying to seriously compete, fun by ordering pizza and popping popcorn, half of which always ended up fed to the birds.

But today Sammie had a second reason to ride back to the Deepdale Acres vans in the lot and pull Gemma’s saddle for a quick brush down.

“Oh, fantastic!” Dee, Deepdale’s barn manager said when she came around the van and saw Sammie already brushing at the sweat spots on Gemma’s back. “Tabby has a flat class in twenty-five minutes. We’re really lucky you pulled the fourth slot, now we have a little more wiggle room. I’ll get Gemma some water.”

Dee’s cell phone beeped. After checking it Dee looked up at Sammie and grinned. “You went clean, way to go!”

After Dee rushed off again Sammie smirked and shook her head. Dee and Crista weren’t fooling anyone. Dee always had to miss the action, organizing almost everything behind the scenes. Especially since this was the first big show of the season, meaning every student with an ounce of talent at the barn wanted a chance at a ribbon, making Dee’s coordinating even more important. Dee’s friend Crista’s basic knowledge of horses limited her usefulness behind the scenes, but being Shawn the stable hand’s girlfriend she wanted to be present to support the barn. Crista pounced on the video-taping-and-cheer-section gig, reporting class result back to Dee so Dee could praise or console riders as needed.

“Dee, which one is my saddle again?”

Deepdale tried to teach its students ground manners as much as its horses. The brunette who came from the van was fifteen, dressed in black jeans under her boots, and a navy riding jacket from the school’s stock over a white T-shirt. She looked at Sammie, and the hunter saddle Sammie was hoisting to replace with the other gear. “Are you saddling her for me?”

“No, ma’am,” Sammie answered a bit too short. “This is a saddle for jumping, you can tell because–”

Dee came back, moving at a fast pace that was neither a walk nor a jog.

“Great, Dee, I can’t find my saddle for my class,” Tabby said, cutting Sammie out of her consideration for the time being.

“It has to be in the van with the rest, did you look?”

“Of course I did, but there are so many…”

“Sammie, could you–”

“Sammie!”

Knowing what had been about to come out of Dee’s mouth Sammie was grateful for whoever had cut Dee off by yelling her name. Until she turned toward the voice and spotted Archer trotting up on his big gray gelding. Inwardly she groaned.

“Hey Sammie, the last ride is starting right now, but unless they knock it out of the park it looks like you’re going to place.”

“Awesome!” Dee said. Tabby said nothing, but seemed particularly interested in what Archer– square-shouldered, trimmed out, long-legged, lantern-jawed Archer–was saying.

“Come on, I’ll give you a ride back to the ring.”

He was on the other side of the fence dividing the vehicle area from the pedestrian area. She could just climb the three boards of the fence and slide up on the gray behind him. After all Gemma’s saddle was already off and…But it was Archer McKinley. The same Archer McKinley who’d beat her in the last five shows, on five different mounts. The same Archer who always appeared to have sprung magically from a show tack catalog, where as Sammie never managed to escape horse drool or a snapped stirrup leather or sweat marks on her show clothes.

“Go on, winner,” Dee urged.

Archer put out a hand. With a choked back sigh, Sammie scaled the fence and let Archer and his big nameless—perfectly proportioned—jumper give her a lift back to the ring. Archer even smelled perfect, despite the hot May sun, like vanilla and cinnamon and nutmeg. Here Sammie was about to melt in the heat and Archer smelled like Christmas cookies freshly baking.

At the ring, Sammie thanked him politely, but made sure to slide down before the rode right into the arena. She wasn’t the only rider waiting without a horse to hear the results of the class. In the heat, a number had opted to rush their mounts back into the shade of a van for some water. Or they were like her, and didn’t own the horses they’d ridden and therefore had to pass them off to another barn student for a different class.

The loudspeaker crackled again, and flushed with happiness and heat she heard her name called out. Sammie strode into the ring, up to the judge standing in the center, where she accepted her third place ribbon with all the grace she had in her. But a little piece of her heart turned sharp when she saw Archer-freaking-McKinley ride in on his big gray monster and accept the blue.

 

Category: Business, Deepdale Acres, My Work | Comments Off on Preview: Pleasure Horse from M. Lush
March 12

No Advance? Not necessarily a problem

Oh, the internet is a twitter with yet another debate. Here’s the short of it; word got out that some Random House ebook imprints have a really bad-for-writers contract. They were declared SFWA non-qualifying. FOR GOOD REASON. Got that bit? The contract as John Scalzi explains it is really bad. Add me to the list of people who would never sign it. My personal line is that a publisher has to do something for me that I can’t do for myself, and this contract actually charges the writer for many things they can do for themselves just for slapping Random House on the spine.

But in the process this has spawned a debate about publishers that don’t pay advances, which would include Samhain, Carina Press, and my own publisher KHP, among others. Scalzi says that no advance indicates that the publisher thinks you’re low on the totem pole, and indicates they’ll treat you unfairly. It’s completely possible that it’s been his experience.

It just hasn’t been mine.

An advance is supposed to be, well, payment in advance to cover the cost of living and such for the artist to create the work. It’s also, as Scalzi points out, what the publisher expects your share of the profit from the work to be. You hear about insanely high advances (um, that often don’t earn out) regularly. It’s a normal thing that authors complain about. Snookie gets a million dollars for a book that doesn’t even sell a million copies, but your average author is lucky to get $15k (paid in parts, very often over 1-2 years.) (Also, I don’t really know how many copies Snookie sold, but I know in 8 months as a bookseller I didn’t sell any. Not even during liquidation.)

To the best of my knowledge writers, unless employed for salary/hourly rate, function as self-employed contractors. The same as many people in the construction field, engineering field and adult entertainment fields. You’re not an employee, you’re being paid a specific rate for a specific job. Yeah, working like this, without someone automatically taking out taxes, paying half your unemployment and insurance costs etc, yeah, you want more money to pay those things and still have some in your pocket.

It’s my firm belief that we are not in a time where artists can live off their art. I mean, some can, and some do a great job at it. Some find other things to branch off into, public speaking, movies, tv, whatnot. Most of us keep day jobs or have a partner to help support us, or both. It’s easier to “make it” that way. Personally I use the day job for the things writing doesn’t give me; regular checks, instant personal satisfaction, benefits, tax balance.

At my day job we have 2 kinds of employees. Those that work for a flat pay (hourly or salary) and those who work on commission. The business covers some cost for us, from part of insurance and such to utilities, uniform shirts and basic supplies from soap and toilet paper to shampoo and ear cleaner. We cover other costs, gas to work, shoes, lunch, etc. Same for the commission folks. Dayjob covers some supplies, not to mention covers advertising, computer systems, building maintenance, etc. They have to provide their own shears, clippers, etc and maintain them.

No one at Dayjob is paid upfront for work. We are paid quicker and more regularly than I am paid through my publisher. But cost for living and supplies we have to provide are just our responsibility. We don’t get an advance for lunches for the week or gas.

I’m not sure how a good, reliable no-advance contract is different than this kind of work. Commission is paid after. Hourly rates are paid after. I get that it’s a little different when you’re living off royalties and advances.

But I also think big imbalances in what is actually earned and what is paid out (in advertising and over printing as much as advances) is a big factor in the razor thin and failing profit margin of publishers. I suspect that more balance between money out and money in, and a fairer divide between publisher and artist could significantly help the current state of publishing.

Because part of the problem is writer and consumer are both losing faith with publishers (for many good reasons, but that is another blog) and part is business practices that simply can’t continue to be supported.

Then again, I don’t have the experience other people do. What I do know is that KHP always sends me statements and royalties before they’re contractually due. They don’t charge me for editing, cover art, formatting, etc. They switched to ebook only because it’s shown to be significantly more profitable than print books. They are picky with their tastes and refuse to throw a bunch of stuff at the wall to see what sticks (except, of course, for actual pasta. They would totally do that.) They’re writers themselves, but none of them has used the press to self publish their own work (even though they’re all great writers). They don’t (as far as I know) pay themselves salaries period, much less before they pay their authors. The business has to be profitable FIRST, and they maintain their own day jobs to allow profit to go back into the press (to publish more books they love. Yay!)

It’s, sadly, also my suspicion that they aren’t a typical small press. I have been published by a few other presses that left me with a sour taste. (Including one that still hasn’t paid me and one which the last issue never came out, and that was after I never got an acceptance, just edits!) I will hold onto the wonderful treatment, the on time, fair payment, the wonderful editing and cover art, over an advance. That’s just my experience.

March 8

Review: Prepper’s Home Defense by Jim Cobb

After years of being Zombie Review Editor at Monsterlibrarian prepping/survival is not something I’m unfamiliar with. But I can’t say it’s been something I’m educating myself on. Prepper’s Home Defense is just about the perfect place to start. The narrative is informative and light without becoming dry or overly paranoid. It’s a crash course in not just apocalypse survival but ordinary safety and disaster preparedness. Cobb writes in a conversational tone that assumes nothing of his audience’s expertise. He doesn’t talk down to the reader, seeks to include something new (even if it’s only a resource or idea) and maintains a level of easy readability. This isn’t the only survival manual you’ll ever need, but it is a great introductory volume with tons of ideas on where to go next. Highly recommended for collections and as a first go-to volume for beginners (whether just writers doing research or true budding survivalists).

Category: Personal | Comments Off on Review: Prepper’s Home Defense by Jim Cobb
March 4

Monday means nap time

The only regular day I have off I try to sneak in a nap on Mondays.

 

McDonalds claims both dog beds in my room.

So Astrid just takes my bed over.

Category: Personal | Comments Off on Monday means nap time
March 1

Yay! The new laptop is here!

After going without since September I finally have a new laptop. Blogging, typing up and editing stories and many other things are infinitely easier on the laptop. I’ve seen a number of people on Facebook asking if they should get a new laptop of just an ipad/tablet/whatever. allow me to ramble.

I love my tablet. I use the hell out of it for everything from silly games (and I’ not just talking Fruit Ninja and Angry Birds, I have three horse raising/training apps) to typing up reviews, email, music,  and general life organization. It’s mega useful because it fits in my purse and I can keep track of my books and movies so I don’t double buy, keep a current schedule and to do list, a digital checkbook and even my dogs’ shot records all on one thing. I have Uno with family mode if we’re at a restaurant and it’s taking forever for food to arrive. It’s use at tweeting and uploading pictures to my facebook is fantastic.

But some things on it just sucks. There are mobile version of websites that suck (like Facebook, which for some reason wouldn’t let me edit pictures/albums or Mapquest which wouldn’t let me get directions because I denied it the right to log my location, despite that I needed directions to help Jason get past three miles of a highway being closed while I was safe and relaxed at home in my jammies). There are somethings I’ve never really found out how to do on it, like making cover art for my self published books, editing the epubs or editing my stories (I can read them, but the app versions of open office and word won’t let me change the documents.) Then, there’s autocorrect. And finally, the truth is, love my tablet, but I type so much faster than it can keep up with that I went back to writing by hand. If I didn’t watch it the sentence would turn to complete gibberish unless I stopped every few words to make sure the tablet was keeping up. And hitting the wrong buttons on a touch screen can be so insanely irritating.

So I ABSOLUTELY advise writers still keep that laptop around.

My new one is an HP, she’s purple and her name is Beauty. I have this thing about naming my computers. The very first one was a Dell named Baby. When I told Jason I wanted to work toward being a professional writer he bought her for me to encourage me. I had her for nine years. She worked very well for me. In fact it was while I was transferring my files from her to an upgrade that she died. Seriously, she died right after I transferred the last family photo with my second laptop on my lap.

The second laptop was a Toshiba named Behemoth. She was a beautiful beast, 17 inches and maxed out on everything when I bought her. After no problems for about 4 years in September she started having power/overheating problems. It’s sad because we totally abused her. We got her running again, but in October she took a fatal cup of water to the keyboard. I still have her quite corpse and hope to frankenstein her back to usefulness.

In between I got a Cruz ereader I named Little B because she was a little bitch. Slow, grumpy about the internet, not licensed to use Android apps she looked slick and pretty, but was the back alley, cobbled together version of a tablet made by someone who had never actually used one before. And my current tablet (a real tablet), a Toshiba Thrive named Bug (as in Ladybug) who has been a totally awesome sidekick but can now let someone else take the hard work and go back to just being a sidekick.

Anyone else name their electronics?