July 26

Review: Shadow Blade by Seressia Glass

Pocket, 2010
ISBN: 9781439156797
Available: Mass market paperback and multiformat digital

Kira’s life is scarred by magic. Unable to touch others because of her power she threw herself into education, both in history and in becoming a slayer of the creatures of the Shadow. Now as an adult she’s a powerful Shadowchaser, the more fighty aspect of a secret organization dedicated to preserving the balance between Chaos and Light. As a follower of Ma’at, balance is very important to Kira.

Then a friend brings a powerful—and evil—ancient blade to her for protection, and he ends up dead in an alley. His death exposes links Kira didn’t even know they had, and makes her feel the loss even more keenly. Then a mysterious (sexy) Nubian warrior claiming to be the blade’s owner appears and when Kira discovers he can touch her without suffering the death that most people do, it changes everything for her.

Shadow Blade is a fantastic Egyptian-themed UF with a lead who’s the strong, calm type. While Kira has a little snark, there’s no jerkiness or bad attitude here, just a woman who cannot connect with humanity trying desperately to save it. It’s a fun, enjoyably complex read. Definitely recommended for UF fans and public collections.

Contains: sexual situations, violence, language

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July 26

Review: Commedia Della Morte by Chelsea Quinn Yarbro

Tor, 2012
ISBN: 0765331047
Available: Hardcover & Kindle

Commedia Della Morte is the twenty-fifth Count Saint Germain book, but readers shouldn’t worry. While there is some continuity, the books are quite readable as stand alones as well. In this novel the Count must answer the pleas of his dearest love, the vampire Madeline who has been imprisoned by the revolutionaries of eighteenth century France. Determined to rescue Madeline, while also balancing the unsure affections of a theater troupe leader and her jealous, angry son, Saint Germain must also keep his own identity under wraps since the resentment of the populace could easily turn on even an ″exiled Hungarian noble″.

Commedia Della Morte is a lush, sensuous historical tale, much heavier on the historical rather than the horror. Despite ghouls and vampires running amok it’s the people who are the real terrors (as always with Yarbro’s books.) The tension is excellent, but not threaded throughout the whole story. Yarbro’s characters are, as always an enchanting strength. Still, this book won’t be popular with more impatient modern horror fans. Recommended for collections avoiding the extreme side of horror, or with readers who have more of a love of historic detail and vivaciousness than gore and terror.

Contains: Sex

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July 16

On mad reviews and bad opinions

I have a thing or two to say about bad reviews. I’ve gotten a few. In fact I recently got one on Wolf Heart. Want to hear it?

This book was horribly edited, if not edited at all. I spent more time picking out mistakes in the story than actually reading it. It was a simple read with little depth, and the author seemed to love killing everybody off. A lot of the plot made absolutely no sense at all. I DEFINITELY do not recommend this book. This is also coming from someone who loves werewolf romance novels and reads them frequently. It is hard for me to say that i dislike a book, but i hated this one. This was a waste of money.

But I haven’t down voted it on Amazon. Or encouraged others to. Or went off about bully reviewers, or any such thing (and you all know how ranty I can get!)

Because it doesn’t matter. First, I, and other people, believe it’s wrong. Just as the author believes it’s right. But past that it doesn’t matter. As in, it has not affected sales at all. And it won’t. Because people who think it looks interesting will download a sample and choose on their own whether they want to buy it or not.

Any talk at all, bad or good, spreads awareness of a book. People buy books because it sounds interesting to them. Bad reviews sell books. Good reviews turn people off from books. The only thing that kills them is no talk at all.

But I’m not even sure that’s true.

I pointed out in my last post on self publishing that the book I self pubbed that has no reviews has outsold the one with all positive reviews. By a lot.

So someone didn’t like it. Someone thinks it was poorly edited and a waste of money. Maybe it was to them. A book is certainly not the worst thing I’ve ever wasted money on.

Publishing is something like traffic, in that all people see of you is this shell you’re travelling around in. Some people will be pissed just because you drive a Ford and they were laid off from the Ford plant two years ago. Some people will be pissed off at you because they’re in a hurry and you’re one more person in their way. Someone else will be getting a giggle they wouldn’t have from reading your bumper stickers or watching you head bop to 80s pop songs.

These are brief, potentially negative, potentially positive, mostly completely irrelevant encounters. Like reviews.

So what I’m saying is, don’t let these tiny, momentary moments define you or your career. Oh, you can get angry, but that’s what friends and family are there to do, to support you, console you, and sure, get snarky about bad reviews with you. But that is NOT what the reading public is there to do.

So write your best and let your work speak for you. Choose to take strength from your writing.

 

July 14

The Gap

Anyone in the artsy business can tell you there’s this gap between wanting to be an artist and actually doing it. Toss out people who only do their art as a hobby, because that’s almost entirely about the enjoyment.

I’m talking about people who list themselves as self-employed artists. Those who grump about being unable to make a living as an indie artist, or turn down day jobs because they want to be [insert artist type here]. Of course I have no right to make choices for someone else’s life. But my own frustration comes from knowing how hard I’ve worked and how long its taken for me to get where I am. How I’ve jumped on every opportunity. Then I learned which ones where worth the effort (by my own standards). I’m constantly trying to keep learning, reading, listening, talking with people and reassessing my career, my actions and my goals. (Not to mention my writing.)

I’m having a little bit of a hard time dealing with people who get stuck on the dreamer side of that gap. Maybe because I’m afraid I’m that person. My writing has slowed down a lot in the last year. First it was depression, then some serious re-evaluating. Now, though, it’s something different.

I enjoy writing still, but I’ve really enjoyed making things more. I’ve been sewing a lot, making dog bows for work, drawing. If it wasn’t for the heat I know I’d be out in my garden more, reshaping the land around me as much as everything else. I’m really looking forward to canning too.

I get that to finish a book I need to sit down and write it. I’m not making any excuses (though I *am* tired from the day job, researching, training a new dog, keeping the kids amused for the summer and enjoying the busiest social life I think I’ve ever had.) But none of those are why I’m not writing. I’m not writing because I’m having more fun doing other things.

And that’s okay. Breaks are okay. Hobbies instead of artist careers are okay. They can prevent burn out. They can keep you sane in troubled times.

There’s a difference between a vacation, or a different level of interest, and no real desire to put yourself out there. I think maybe more people need to be willing to admit they don’t actually want to make a career out of arting. It doesn’t mean you aren’t a good artist, or a serious one. It means you don’t desire to make a living off your work, or to make art work. Or maybe you don’t really want to subject your work to the kind of criticism one finds in the market.

Let’s face it, more people should admit that, rather than having extreme meltdowns when that first not-glowing review comes along.

The first step is walking across that gap. Turning want to into butt in the chair doing. I think there comes point where you have to admit you don’t really want to be an artist enough to work for it. Or that you need a break to breathe.

And by the way, those of you out there that I know who have been struggling with non-art phases in your lives, STOP IT. You would not be the artist you are now without that break. No guilt. Just be truthful to yourself.

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