Death and the Maiden part 4

Part four of Death and the Maiden moves outside of the restrictions of a magazine strip and into a space of its own. It features full color pages of the same surreal, near pornographic art that can also be found in the first three sections (in Issues 1-3 of Murky Depths).

The Black Order and the whores of New Babylon are caught up in a war of pornacracy and gendercide. In the midst of it all Flip, an outcast whore from New Babylon falls for Mr. Death, an outcast from the The Black Order. With the expanded space Calder has the chance to not just catch new readers up on the premise, and expand the world tenfold, but Flip and Mr. Death also face down metal-lined clones determined to carry out the sentence of execution on them for their crimes. A spot of action takes the comic out of the reflective and pushes boldly forward.

Calder “pornographizes” (his word) our vanilla world, from the inside out, creating a skewed world of up the skirt shots and Barbie-doll bodies. Death and the Maiden is like no other comic, veined with social commentary and cloaked in unrelenting sex.