One hundred and ninety pages of political masturbation disguised as a supernatural suspense story. Of the three main characters we have; Dorian Gray, who is a brainless puppet the personifies vanity; Basil Hallward, the artist who painted the fabled portrait and represents the sorrowful conscience; and Lord Henry Wolton, who is the quintessential 19th Century fop whose sole purpose in the book is to act as Wilde’s voice on politics, religion and homosexuality and as a driving corrupter of everyone else in the book.
The pacing is horrendously slow, the chapters devoted to explaining Gray’s hobbies and the pictures of his ancestors in his hallway don’t help with the lousy pacing. The whole story could have been condensed to a 30 page novella and would have been enjoyable.
And, as a side note to the posthumous Mr. Wilde, forty is not old and hideous.
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Pride is the third book in Rachel Vincent’s werecat series and like the ones before it, it begins in the middle of a mess and ends with the characters looking forward to the next challenge.
Faythe Saunders is on trial for accidentally infecting her ex-boyfriend and being forced to kill him in self defense. There are three judges and two of them have problems with her father’s liberal choices in running his pride–like his decision to let Faythe be the first female enforcer ever. The job that finally pulled Faythe into feeling like her pride valued her for more than the (potential) contents of her uterus is why she encountered her ex in the first place. As for the third judge in her trial, well, her uncle is technically on her side, but even he doesn’t believe she can partial shift, which means he’s not convinced that the infection was an accident at all.
However, the trial for Faythe’s life is put on pause when Elias Keller, a bruin (werebear) who cares for the neutral land that the prides have gathered in for Faythe’s trial, storms in angry at all the cats causing trouble on his land. The pride cats and Elias quickly put two and two together, realizing that not only are the mysterious noisy werecats not from any of the visiting prides, but they’re probably also responsible for the two missing hikers the humans in the area are searching for. Things continue to grow more tangled when Elias brings in a tabby cat he believes to be Faythe, but in fact is a thirteen year old girl no one’s ever heard of before.
Faythe has to prove herself useful, out maneuver one of the judges who is plotting not just against Faythe but also against her father and save the girl, from her past and the future the old fashioned alphas want to manipulate her into.
Even though this is part of a running series it would be easy enough for new readers to pick up the story, and the world, so far. Despite it’s size Pride is fast paced with lots of action, both emotional and fight scenes. And unlike a lot of other urban fantasies that feature kick ass heroines, in this one the drive Faythe feels to be recognized and respected as a real person, not just a breeder, is integrated to the plot, as is the gender skewed world view that fuels Faythe’s fight. Pride is definitely recommended, especially to women who are tired of princesses who need to be saved or women who’s sole purpose is to be swept off their feet, impregnated and plopped into a Donna Reed role.
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The Lesser of Two Evils is a perfect example of why readers shouldn’t dismiss every book with a self-published label.
Davis Briggs, sheriff of the small Texas town of Devine has a hell of a mess on his hands when children start showing up dead and a drifter and a thirteen year old psychic seem to be the only ones who can help. Jobe, not the typical hero, comes to Devine via possibly divine intervention (haha, get it?), not just because he’s laying low from his last botched bombing which killed more than just the cop it was intended for. Meanwhile, Wendy, thirteen and already having faced more reality than most people do in their lives, is trying to keep her brother alive, and be the parent while her actual parents are out of town on a job. She’s the first to sense a supernatural doom descend on the town and has to convince Davis to trust her instincts before more lives are lost. And when things start to get real bad she and Jobe must team up to take down the killer.
The Lesser of Two Evils is a well paced serial killer story with strong, unique characters. It combines science and fantasy in explaining the paranormal aspects of the plot. The antiheroes rule the show, sharing their own twisted pasts, morals and going through an emotional shift to become something else. While much of the book isn’t graphic there are spectacular murders and an unrelenting, unstoppable killer than keeps the readers swept away for all 363 pages.
An example of “the cream that rises to the top” of the self publishing world, The Lesser of Two Evils is definitely on the Buy list.
“The Heist” is an excellent theme setter for this collection. This story has an urban fantasy flavor, only instead of the default setting of the world being based in nature worship-style paganism or Christianity the magic comes from a very distinct Jewish flavor.
Jimmy the Rat (a Jewish vampire), The Tzaddick (an immortal), The Rabbi (a powerful Jewish mystic) and his wickedly constructed golem Goldie come together to take down a mysterious and magical blood bank. Along the way they encounter peculiar versions of zombies and angels and a fortress that will boggle readers with its incredible level of security. It’s the motley crew’s job to break the fortress, to take down the blood bank and of course, collect their fee.
From there HebrewPunk moves to stories focusing on the trio individually.
“Transylvania Mission” pits The Rat against a band of Nazi werewolves searching for Dracula in the hopes of enlisting his help in their war. More could be said, but that, and awesome, sums up this tale.
“Uganda” mixes the Jewish flavor with distinct African ingredients. In this tale it’s the turn of the century and The Rabbi is asked to investigate a tract of land in Eastern Africa which some people hope will become a new Jewish Homeland. Recognized as a mystic by a local tribe, he walks with them, getting a glimpse into the truth of the land, and possibly even the future. While this is a solid, interesting and richly flavored tale it feels unfinished at the end, perhaps because it’s written as if compiled by a third party from multiple sources, a style that lends better to longer works.
Finally comes The Tzaddick in “The Dope Fiend”, a 1920s set tale of voodoo and ghosts and how they surface in the Jewish mythos. Unfortunately this one is the weakest of the four. There are many major secondary characters that move in and out of the story, playing fairly important roles, but there’s a feeling to them as if the reader should know who they are. It’s not, however, guaranteed that they will.
Also a point of discontent with this story is The Tzaddick himself, who often comes off as if being a drug addict is all that he is. While there is a level of realism to this portrayal, in this story it keeps the reader from connecting with The Tzaddick as anything but a drug addict. This, and the previously mentioned crew of secondary characters, overpower the plot itself, as if Tidhar had more fun writing the characters than the story.
Altogether HebrewPunk is a collection that reveals interesting possibilities, especially for the Urban Fantasy genre who should sit up and take notice at how much space there still is in the genre outside the realm of nature based magic systems and romance melodramas.
