November 2

Die! Brian Keene, die!

How could I not, really? From Keene’s Blog:

My death, as Jack Haringa’s death before me, benefits the Shirley Jackson Awards. Sometime today, while you’re reading of my various demises, please consider purchasing a copy of Jack Haringa Must Die, featuring stories by myself, Christopher Golden, Jack Ketchum, Mary SanGiovanni, Mike Oliveri, Nick Mamatas and dozens more. All proceeds benefit the SJA. If you already own a copy, please consider making a donation.

Die! Brian Keene, Die!
By Michele Lee

Two blue skinned djinn and a shadow elf walked into the bar. It wasn’t a joke, it was a bad, bad situation, the kind that made me reach for blade at side. But I stopped myself, because The Cabal was the kind of place where everyone kept an eye or two, three if they could, on everyone else and my move would not go unnoticed.

I recognized one of the djinn and the shadow elf. They made no attempt to hide their faces, marked with maps of scars that I could nearly name. They worked for Dane Stein, a lich king from somewhere up north, and they were here for Brian Keene, the owner of The Cabal.

As dives go, it was a fine place. The peace was kept by a team of toughs who names outweighed their recognizablility. Big Joe, crouching across the room under the exposed wood rafters gave the Dane’s men a slow, assessing look. His cauliflower ear looked like it might sprout something soon and his skin was a nobbily green that could have been just it’s tone, or caused by the soft growth of moss.

Coop, I didn’t see. Dickie, the notoriously irate dwarf, was missing as well. Probably at home, guarding Keene’s family from the fall out. Behind the bar two woman commanded an audience with their charisma and culinary deliciousness. They were part of the Keene toughs as well, though customers were quick to forget that. I wondered if Dane’s men would remember, or if the women flying over the counter and burying stilettos in their colorful faces would be the end of them.

The trio split, the elf and the djinn in the knotted armor taking places along the bar among the crowd trying to catch a word or two with the females of the Keene entourage. The other djinn headed back to the water rooms. My perceptions hyper focused. I wished again that I had some sort of means to detect magic.

The others did though. Their partner was only out of sight for a few moments when the shadow elf casually pulled a small black vial from his pocket and flung into onto the floor. The tinkle of glass as it shattered barely carried through the loud, smokey room. But the primary effect of the fluid within was much more noticeable. Almost instantly a darkness overtook everything.

There were a couple different kinds of people that frequented The Cabal. Some were just friends, patrons, familiar faces. But a number were hanging close, waiting for a chance to take out one of the Cabal’s inner circle in the hopes of taking their place. Rumor said that being part of the operating of The Cabal was a lucrative, privileged position. Whether it was true or not, people believed and that’s what counted.

The magical darkness presented an opportunity for those types and I was sure that Dane’s men had counted on that. I hit the floor immediately after the darkness fell and crawled under my table before trying to navigate the explosive dark.

Would they try to take out Big Joe first? Or use the darkness to avoid him? The shadow elf could see through it, I was sure of that. But the joke was on them if they tried to take out the half ogre, because Big Joe could see through the dark, too.

I suffered three hard kicks and someone tripped over me while I made my way to the back of the room. Briefly something flared up, then the darkness, and the metal smell of an organic fluid, swallowed the light.

I followed the wall out of the range of the dark spell before standing. Another few feet back I found the door to Keene’s office. I reached for the handle and felt—and smelled—the unmistakable mass displacement of air as a magic horde of undead suddenly appearing in the area. The lich was putting all his cards on the table again Keene. For the first time, I wondered what Keene had done to piss Dane off.

The door opened with ease and Keene, a man giving in to middle age, but not bad looking if half the stories attached to his name were true, met my eyes. I opened my mouth then went for my blade instead as the second djinn materialized in a small tornado of wind and dust behind Keene. Keene’s eyes widened as my blade slid over his shoulder and into the cerulean flesh of the djinn. I twisted and a magical pulse erupted from the sword, dis-incorporating the beast. Somewhere out there a djinn was reappearing in its reliquary, exceedingly pissed off.

Re-sheathing my blade, I gave Keene a little bow. “I am here to help.”

He looked skeptical. I didn’t blame him.

“There is another djinn and a shadow elf engaging Big Joe outside. Beyond that are zombies, but I cannot say how many.”

“Let me guess, a horde?”

“Sounds about right.” Keene slammed his laptop closed and went for the drawer where he kept his gun. A combination of the traditional and the modern, I thought taking a brief moment to study the office which was far less hokey than the rest of The Cabal. The kitchen and the water closets too, were much more modern than the front. Living in a world that merged modern technology and magic had its benefits and Keene seemed able to take advantage of many of them.

I hazarded a guess. “Do you have a panic room?”

“Yes, but you’re daft if you think I’m going to miss a fight like this.”

“You aren’t a young man anymore, Keene. You have a wife and a young son that are depending on you. Your job is no longer to go in guns blazing. You have to be the plucky survivor.”

He weighed my words. Then he took his gun to the fake wall on the far side of the room and opened the door to the panic room. “I fucking hate this.”

“I know,” I said with true sympathy. Then the door closed between us.

With Keene safely tucked away I went back into the main room. Moments later there was an audible pop. Someone mutter a counter charm and the darkness dropped, revealing a mess.

A short, squarish knight stood in the center of the room in armor that gleamed, even under the partially clotted fluids of the undead he’d already diced into manageable bits. That would be Mamatas, the most feared and ill-tempered paladin on both coasts. With another word a ring of force swept around him sweeping the undead, and the undead parts, away. In the corner Big Joe was bleeding badly—I couldn’t tell if it was from his eye, or above it since the socket was swollen and green-purple. But he had the sword arm of the shadow elf in his hand—the elf’s hand still gripped around his blade in rigor—and spun it at the remaining djinn who was flitting between wind form and flesh form.

I joined the fray, severing limbs, heads, and ligaments of the undead with a fervor I hadn’t felt in a while. Letting loose—I see why Keene’s toughs enjoyed their jobs, for the unpredictability that forced them to keep improving, keep advancing in their craft. Even if their craft involved tearing off elf arms and beating people with them.

With Mamatas in residence the undead were soon defeated. By that point, I’d carved myself a path out through dead flesh and living and vanished out the door.

As much as the past few months had given me an appreciation for The Cabal, Mamatas would heal Big Joe soon, and after they’d go to the office and find Keene dead in his panic room. Flashy battles and muscle-bound maniacs had their uses, but in the end it had been easier, and more certain, to just arrange a carbon monoxide leak in the sealed panic room. I still didn’t know what Keene had done to piss so many people off. But I wasn’t paid to ask questions, I’d been paid to help.

October 31

Happy Halloween!!

Fran
by Michele Lee

It started when the theater kicked off its Classic Horror Film Festival. But no one noticed anything strange until they found Ian in the front row of the theater, pale and unconscious with pinwheel shaped purple-red bruises on his throat. Matt found him when he came to turn off the overheads in theater five. Poor Ian lay, broom and dust pan still in hand, slumped over the seat on the end of the row. What a trooper, like somehow he could still clean popcorn and candy wrappers from the floor while horizontal.

The movie, House on Haunted Hill, started a mere five minutes late. It took two of us to carry him out of there, in the middle of the five o’ clock rush, and tuck him nicely out of sight. Then I went back to the front booth to sell tickets, pretending nothing had happened. Matt vanished back up into the booth to start the movie. Tammy even waited until all eight movies were into the second reel before calling an ambulance. Isn’t she a peach?

The paramedics didn’t find anything immediately wrong. We all stood around, like a curtain, watching as they took Ian’s vitals.

“It’s like he’s asleep,” Tatyanna said in that thick accent of hers. She should have been in the Elvira costume instead of Shannon and not just because of her rolling Russian-goddess accent.

“Only nothing’s waking him up,” I added.

“Does he use any drugs, prescription or illegal?” the fat, little paramedic chic asked. Tammy looked to us with an eyebrow raised.

I shrugged noncommittally. I doubted being a pothead put him in a coma. They took him away on a stretcher, rolled him right over the black and white tiles and out the doors.

We still hadn’t heard anything a week later when Hellraiser reopened to a crowd of fans who missed it the first time around. The theater carded, but that didn’t mean all the people in the ticket booth did. Most of the crowd, like most of the non-management employees, were under age or AARP members. When the movie let out I found Josh slumped in a chair with an employee box of popcorn and matching bruises on his neck. I shook him, hard. At least two people had dumped their popcorn in the chairs and I’d already policed the theater once during the show on a complaint of people throwing nachos at each other. I needed the back up to get the theater cleaned in the five minutes I had until the chick flick next door let out.

“Come on man, don’t be like this.” I shoved him harder and like a passed-out drunk he fell to the concrete floor without a muscle twitch to protect himself. He felt sort of plastic, and I felt bad when his head smacked on the floor. I radioed Tammy. It was the first run of the day, so a longer delay didn’t bother our start times. Matt, the projectionist, could make up for it.

The ambulance came right away this time and took Josh away immediately. He didn’t have insurance. He’d be pissed when he woke up to the bill.
Tatyanna paled when I told her. “Maybe there is something in the air.”

“Like a mold?” I asked.

“Yes, that is it, like a mold.” But her eyes didn’t agree with her words. Sometimes I forgot she hadn’t always been a teen fashionista. Her family immigrated to the States when she was four. She might have been raised in America, but her parents told stories even agnostic folks crossed themselves after.

“You mean a chemical? Like a terrorist?” Shannon asked. He was big on the conspiracy theories.

Tatyanna didn’t answer. Instead she turned and offered to help a customer still four feet from the counter.

“Why would a terrorist strike a movie theater? Oh, maybe it’s like that theater in Russia, only instead of holding us hostage they’re pumping anthrax to the customers through the air conditioning,” Shannon continued while the popcorn started exploding out of the kettle behind him.

The customer ordering from Tatyanna changed her order from popcorn and soda to prepackaged candy and a safety-sealed bottle of water.

“Dude, customers.”

“I’m making the popcorn, what else do they want?” Shannon grumbled. For more than just a moment I hoped he’d be next.

Night shift came in and I hung around. I sat at the back of the theaters sniffing the air and the seats. I didn’t understand how only one person at a time in the whole theater could be affected if it was a chemical, or even some sort of flu. I left after the house lights went on and the geriatric night shift ushers hobbled in to make sweeping motions at the floor.

Word spread fast through the employee ranks. Monday Dave, the other manager, called me into the office before I pulled on my purple shirt and put me through twenty questions that equated to “How do you feel”.

“I feel fine, man. How’s Josh and Ian?”

Dave shook his head. “I haven’t heard anything.”

Whether I liked them or not it was hard working every day knowing two of the people I spend most of my time with, even if it was on the clock, were lying in a hospital bed somewhere like zombies. Sleeping, living zombies. I called every hospital in the area, and two across the river, but I couldn’t remember Josh’s last name. One of the ones downtown said Ian’s parents took him home a day after he came in. They wouldn’t tell me how to call his parents, or how he was. Privacy laws or something.

I repeated my sleuth stint Wednesday and Thursday. Friday was the first day of the weekend and after school, homework in the break room and popcorn pushing I wasn’t capable of figuring my way out of Mathemagical Land, much less a bio-terrorism threat on my favorite discount theater. It didn’t seem effective to target one person at a time, so terrorism, while high on Shannon’s list of maybes didn’t make it far on mine. If I heard him rewriting what the other kids claimed to see one more time to prove his theory I thought I’d hit him. Dave, cool little guy that he was, felt the tension and let Shannon out early. It meant when the crew of ancient weekend employees left I had to pick up the theaters myself. But Chad and the night cleaners would be in at two a.m. so all I had to do was clean cups, napkins and trays from the seats.

I thought about the newest hire, a fifteen year old half hippy chick named Daisy. She should probably be the biggest suspect. But then I flipped on the overheads in theater one and spotted Daisy. It was pretty easy, she lay on the red carpet down the center of the theater drooling onto the rope lights. Maybe it was just a thing, or maybe it was the theme to Dracula playing over the end credits, but instead of calling Dave on the radio I squatted down and took a good look myself. No, it wasn’t because she was a chick. I’m not into jail bait.

She was pale to begin with, a hippy who disliked sunlight. It didn’t mean anything. We’d sent her out for lunch in daylight before. She didn’t burst into flames or howl in pain. Bruises were on her neck too, like nasty hickeys and not nasty in the fun way. They were dark purple spots, with spikes radiating out into a lighter red bruise. But then it ended without any further fading. I poked at the bruise to see if pain would get a response from her, but instead another bruise, yellow-green this time, rose onto her skin. I hadn’t poked her that hard, but it made me grimace at the thought of Josh’s head hitting the floor.

I couldn’t think of anything else. It looked like a vampire bite. There wasn’t any blood, or broken skin, but it was like all the bites I’d seen in the movies in shape, size and spacing.

Tatyanna came in as I rolled back onto my heels. She covered her mouth and paled. “It is another one?”

“Yeah, Daisy. I found her like this.”

“And not one of the customers said anything?” Tatyanna asked. I shook my head.

“Maybe they didn’t see her. Maybe it happened afterwards.” I stood and walked over to her. Tatyanna did not seem to want to get any closer.

“You’re going to think I’m crazy, but I think it’s a vampire.”

“This is not crazy.”

“I mean there’s no blood or anything. But I still think…” I stopped and stared at her, suddenly aware that she had agreed with me.

Tatyanna smiled. “Well, where I come from there is never blood. We call them something different, but the idea is the same. Vampires, they are restless dead. They are possessed by a demon at the moment of death. They feed on their relatives and friends to continue existing. There is never blood gone. They feed on the life, the luck, the..”

“Chi?” I asked. Tatyanna faltered. I was mixing cultures again. “Chi is like life force.”

“Yes, exactly! The essence of one. The victims get tired, poor. There are accidents, ill health and bad luck, before they die.”

“Tatyanna, are you a vampire?”

“Not last time I checked.”

“When was the last time you checked?” I ask, just curious.

“I went to church on Sunday. A vampire could not go into a holy place.”

Good enough for me.

I wasn’t going to go spreading my theory around. Shannon was the only weirdo we needed. So instead I asked Dave and Tammy for usher duty.

No one liked to usher, so no one complained. When not scrapping Junior Mints off the seats and cleaning nacho cheese from the screens I slummed in the back row, hoping I’d be the next victim. After two days I realized I didn’t know what I’d do if I caught this supposed vampire.

There was a grocery store down the street so on lunch I walked down, bought a sandwich and chips, and big clove of garlic in a sealed plastic bag. It should be better than nothing. I could have raided the trash for improvised stakes. But if some of the movie legends weren’t true I wasn’t about to be found with some kid impaled and the word “vampire” on my tongue.

I worked Saturday morning, if you can call noon to six morning. Then I changed to street clothes and movie hopped, trying to stay awake through a political thriller and a romantic comedy. The credits rolled, and I was more than ready to switch theaters. On a Saturday night almost everyone works, but only one usher walked in, feet dragging and eyes on the floor, due more to a humped back than attentiveness. I stayed still for good measure. I think Tatyanna knew what I was doing, but everyone else would think I was nuts.

The usher scooted over to me, broom and dustpan trailing behind. She was about ninety, so it took a while. She pushed smashed cups and flattened popcorn over the concrete floor. She smiled at no one as she moved, her eyes and lips lost to wrinkles and the rest of her tiny, hump-backed body covered in our purple and black uniform. She shuffled down the aisle smelling like talc powder and burnt popcorn. She hovered over me and opened her mouth. Her eyes started to glow green. Really glow. I reached for my garlic.

“Holy hell.” I jumped up, but her decrepit arm caught me and held me in place like steel. “No way. No freakin’ way you’re the vampire.”
Fran grinned, her dentures looking poky and wrong in the flicker light of the rolling credits. “Young kids last longer. Theaters are full of young kids.”

She sat on my lap, which I always wanted to save for strippers on my eighteenth birthday. She leaned down, her soft, flabby, textured skin on mine and I shoved the massive bulb of garlic down her throat.

Something like a hiss, if one could hiss around a chunk of garlic larger than a golf ball, escaped her. Then she turned blue and hard on top of me. I jumped up, throwing the body aside and danced around until I felt somewhat less disgusting.

Dave and Tatyanna stood at the back of the theater when I could finally stop. From the looks of things Tatyanna had explained to Dave why I was in a dark theater alone with well-aged Fran.

“This is the vampire?” Tatyanna said.

“Yes, I’m guessing. The glowing eyes and trying to suck on my neck, and dying when I stuck garlic in her mouth probably proves it,” I said, still wanting to shake the old woman smell off me.

Tatyanna looked grateful enough that I thought I might be able to get a date out of it. I’d have a hundred old ladies try to neck with me for that.

“Okay.” Dave looked around, assessing the situation. “We could say it was a heart attack. She looks like she was sitting.”

“Yes, that is it. She had a heart attack.”

We all stood and looked at tiny, dead Fran. Then I asked the obvious.

“So who’s going to take the garlic out of her mouth?”

Dave and Tatyanna both looked at me.

“I’ve got to call the ambulance and stop the next show.” Dave vanished before I could say a thing.

“She’s not going to come back?”

“No. The demon will not be able to retake a body when it is dead, just when it is on the edge of dying,” Tatyanna answered. I made her hold a broom, and used a glove and plastic spoon to pry the garlic back out of Fran’s throat.

I turned and smiled, the bulb Fran-less and the day saved. Tatyanna pressed against me, with an enchanting smile.

“I could have been next. You have saved me from the worst nightmare in the stories my parents used to tell me. I owe you a great deal,” she said.

Then she leaned and kissed me. My arms wrapped around her as her lips rested on mine, and I knew I’d sit through at least twenty lap dances from ninety year olds for a kiss from her.

October 18

Really Awesome Review

Michele Lee’s Rot is an impressive debut novella that applies everything we’ve come to know as readers about the zombie and adds a weighty sociological twist that will surprise in its implications.

Full Review at DarkScribe.com

This review means a whole lot to me because of the mad respect I have for the reviewer. I am truly flattered and thrilled with the response.

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October 14

Deferring to other people and Janey-on-the-Brink-ism

More links to keep you informed, to begin with:

And all of this brings me to a painful bit of truth about myself. I know I’ve been doing a lot of linking to other writers lately, and in part it’s been because I’ve been sick, and in part because there are just so many people saying great things. But in part because I feel that I’m sort of frozen in time, in progress right now.

Rot is out, Diener is out. I have no more contracts, I’ve acted on the best chances for more publication available to me right now (that means I’ve written for and submitted to the editors who have directly invited me to do so and at this point I’m just waiting to hear how things turn out). I’ve pursued much of the promotion I intended for Rot (especially considering it’s a small press novella that won’t be widely available in stores, so the promo plan is more to keep it gaining reviews and reader reactions and dig in for the long hall rather than a big burst and vanish, like books often do.)

I am working on new stories. I’m over 10k into a new novel and I just finished a really good short story last night. I’m keeping my work out to the markets that are open. But there just isn’t anything going on.

Now that can change quickly, but until then I have to just keep moving forward and letting most things gain or lose momentum on their own.

There are lots of people out there with more experience than me, more awareness than me and more knowledge than me. They are also wonderfully vocal people, who commonly share their experience and knowledge. So in the face of so much wonderful information and people who, frankly, put it better than me I find myself with very little to say other than “Yeah, what they said.”

Which is also the case with my submissions. It’s called Janey-on-the-Brink. I’ve blogged about it before. But what it comes down it is I am getting the best possible rejections in response to my work, but not yet consistently selling. Please keep in mind that Rot was accepted in January and Diener was accepted last year. Since then I’ve gotten a number of really positive, really personal rejection from places I never thought I’d submit to in the first place. I mean, I’ve gotten a number of “Final round, but we ran out of space” rejections and even one that said the story was rejected mostly because it was third person and they were looking for first person stories (which is the opposite of what most markets seem to look for.)

On one hand, it’s utterly ridiculous that I am that close and just not making it. On the other, as a critic of myself I can’t help wonder what element I’m missing in my work that’s holding me back.

Several people whose opinions I trust have said the element that I’m missing is timing, luck, serendipity, if you will. They have a good point. But again, as a self-critic I can’t help thinking I just must be doing something wrong.

This is what’s hardest about publishing, it’s so very subjective and good work goes unbought all the time. Readers have a glut of good fiction, poor fiction and knock-off fiction to buy. But on this side, I have to decide which is more important to work on, the horror stories that I’ve been able to establish myself in, or the urban fantasy novel which has a much higher chance of breaking me into a large audience? Do I trying to duplicate the level and feel of Rot to try to be consistent as a writer and build an audience by proving my work to be reliably what those readers want? Or do I do something new, something different to show my versatility and to try to capture more promising markets?

I’m not looking for answers, because there aren’t any. There’s just hedging your bets and hoping you made the right choice. but that leaves me (and many other writers) appearing to do nothing, while keeping their heads down and hoping for some forward momentum.

So if it seems that I’m quiet lately (which I won’t be probably for the rest of the week, since I have a few things saved up to blog about) this is why. And if you’re in the trenches fighting as well, good luck! And keep going.

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